Swedish retro rockers, Children Of The Sun follow up their 2019 debut LP “Flowers” with another slice of late ‘60’s love culture worship in the shape of “Roots”. Taking inspiration from greats like Janis Joplin and fusing it up with… Continue Reading →
When I first saw the cover to King Woman’s sophomore album Celestial Blues, depicting mastermind Kristinia Esfandiari as the fallen angel Lucifer, photographed from behind, with a torn garment, in an outfit alluding to sex, the back featuring raw, open… Continue Reading →
Longevity is not something that Rock music was originally founded on, with established musical forms, and the establishment itself turning up their collective noses and dismissing what was new. As that sound continued beyond all initial estimations of demise, well,… Continue Reading →
When I read the…er…concept behind this lot of filthy Canadian bikers trapped in the seventies I was kinda intrigued. Visions of the musical soundtrack to some lost drive-in biker fodder about a drug crisis in Spurcity certainly appealed and their… Continue Reading →
This five piece from Sweden “play rock music”, was what I read on one of the sources I used to get some background. Whilst I agree that this unilluminating statement can be countered by “you’ll find out if you listen… Continue Reading →
I’m fairly lucky to have seen one of Blues Pills first UK shows, if not their very first, when in 2013 they played the Dingwalls in Camden third on the bill behind Scorpion Child and headliners Orchid (what a line-up… Continue Reading →
What we have here is “a rock album about sex, death and the pursuit of freedom”. If you have no idea how the words above could be related, dear reader, and if you don’t find them appealing in the least,… Continue Reading →
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