Ah, the return of the Australian / alien weirdo-classic rock act! I’ve been reviewing these guys for quite a while now, and I have to say that they’ve slowly but surely won me over. I have a fondness for classic… Continue Reading →
Steampunk. What’s is all about eh? Blokes in toppers and kilts. Ladies in voluminous dresses and tricorn hats. Everyone running about with goggles and foam ‘space weapons’, the latter looking like they were designed by Isembard Kingdom Brunel. It’s all… Continue Reading →
Tributes to other bands can be very interesting, and there is great potential for talented bands to interpret good songs and make them better. Anubis Gate is a talented band. I interviewed the band’s amiable multi-instrumentalist Kim Oleson a few… Continue Reading →
Me, I’ve been a fan since Sacrilicious Sounds and always welcome the arrival of a new bit of rock n roll irresponsibility from Eddie and the guys. You expect bright, sparky country punk rock and roll, some excellent wry humour… Continue Reading →
…and now for something completely different. I read the blurb from the list which Thee Ed sends us reviewers, and there was a lot there to make this crew stand out for me – name-checking Queen, Motorhead and Judas Priest…. Continue Reading →
Sometimes you just need straight up rock and roll. The simplicity of a cranked up amp, overdrive crackling to crisp distortion, a clear and sometimes fuzzy bass, straight forward drums with plenty of hi-hat and cowbell, it’s the tried and… Continue Reading →
For the last few weeks, I’ve been mostly listening to music wallowing in misery, sickness and despair. Predominantly post metal and some experimental stuff. It agreed with me, but like someone eating the same meal every day for days on… Continue Reading →
Headed up by Chris Reifert (Autopsy) there is a spattering of releases from Violation Wound who formed in 2014 when I reviewed the bands self-titled debut of which I was very complimentary with its no nonsense skin stripping punk rock…. Continue Reading →
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