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I am sure most of us have labels that we follow or have liked over the years, whether it is because of their eclectic nature, diversity, quality or in the case of US label Comatose Music their outright pulverising roster…. Continue Reading →
Genres are dumb. The idea that you need to be able to fit music into hyper specific categories is stupid and it ultimately makes the listening experience worse. While that is what I believe, it is also my excuse to… Continue Reading →
It’s been 6 years since “Nihilism” rattled my teeth. That was the Dutch noiseniks second album and it gave me all the right feels in all those wrong places (you know the ones that hurt soooooo good!) The fact that it has taken them 6 years… Continue Reading →
Evil In came to life in 2019 and is the brainchild of multi-instrumentalist Charlie Murphy. He dropped the debut EP “An Ethereal Force Beyond” last year and has now teamed up with Steffen Banas who takes up drum and bass… Continue Reading →
It’s kind of odd. I don’t really understand why Irish outliers Abaddon Incarnate don’t seem to get as much love as they clearly deserve. But with five albums since 1994 I think it’s safe to say that they fit the… Continue Reading →
All is not well. Hmmm kind of an apt title for this collage of an album. The Machinist that recorded the album are not to be confused with the Manchester band of the same name, which is what I fear… Continue Reading →
Blimey it was way back in 2008 and ‘Southern Storm’ when I last reviewed a Krisiun album. It was the mid-era of the Brazilian trio I guess my interest really peeked even giving them an album of the year accolade… Continue Reading →
It’s probably an age thing (not ‘probably’, I know it is…), because technology seems to stride forward at an increasingly surprising rate the older I get and this self-financed debut album from Israeli Symphonic Metal band StormbounD is just another… Continue Reading →
A second album from German chainsaw death metallers Nightbearer following on very nicely from their excellent debut full length ‘Tales Of Sorcery And Death’ released in 2019. Whether you would say there is a progression on their sophomore is down… Continue Reading →
There’s a strong suggestion of a dark and sinister element in the artwork of this album, of which there is the added promise of psychedelic suggestions and different rhythmic elements. We enter the forest on a dark morning. The drum… Continue Reading →
One-man industrial wrecking machine James Hammontree is back and those who like the thudding, abrasive, jackhammering side of the genre are no doubt keen to hear how the Oklahoman has developed ideas from 2020 debut ‘Hallucination Machine’. Truth is, not… Continue Reading →
Never having heard of this US band before, I looked at the name and began to imagine Skepticism covering some disco hits. Thankfully that was short lived as the words ‘punk’ and ‘powerviolence’ (though I’ll be honest that genre name… Continue Reading →