Let’s get the elephant (in this case a goat, but let’s not split (goat) hairs) out in the open, and although this represents Singaporean Grindcore trio Wormrot’s fourth album after 2016’s excellent ‘Voices’, many metal fans interactions with Wormrot would’ve… Continue Reading →
There are times where reviewing certain bands constitutes more than just an item on a to do list, where it is less ephemeral than it may often be. There are some bands, that transcend our corporeal existence, and stick like… Continue Reading →
As well as heralding the renewed political manifesto/career of their incumbent political leader Macron, the French have also decided to birth something far more palatable unto the world in the form of the hideously named trio Cleaver. Now it is… Continue Reading →
Parisian four piece, the enigmatically named Anna Sage, seem to come in from the cold, having formed in 2012, released their debut EP in 2017 and then despite a smattering of support slots with such scene luminaries as 68 and… Continue Reading →
As the sun streams through the all-be-it, very dirty glass doors, that act as my portal to the outside world, all seems well with the world, despite the presence of a global pandemic, a despotic lunatic launching a war on… Continue Reading →
There’s a lot to unpick here when dissecting this, the third album from Bunuel, a supergroup of sorts from the malcontent, the ostracised, the damaged, the put upon, the depressed, the outliers, the three percent, the curious, the avant-garde and… Continue Reading →
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