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Author Nick Griffiths

Having grown up on a diet of ABBA, The Carpenters, Leo Sayer (Mum), Cream, Led Zeppelin, Black Sabbath and The Beatles (Dad), it was a stormy night under canvas in the wilds of Wales where I first heard the Winston Churchill speech that proceeds ‘Aces High’ from Iron Maiden’s ‘Live After Death’ where life changed for the better. That’s not to say that this was THE pivotal moment of my life (the good lady indoors and two children may get slightly truculent if I were to suggest as much) but it’s certainly up there. Listening, wearing, watching and being into Metal is one of life’s great honours and whilst it may be far from conventional and not a broad representation of the society where we live, I think that’s the point. We are different, we like it loud, noisy, nasty and in your face. Hearing that first chord, feeling that first double kick drum, that initial growl, your first t-shirt (Anthrax Efilnikufesin (N.F.L.)) …moments of pure majesty that endure for a lifetime. Luckily, I get to ramble on here after doing so in Raw, Kerrang, Metal Hammer, NME, Rock Sound, and Terrorizer over the last 25 years. It’s still as much fun reviewing music today, as it was for my first ever published ramblings (Nuclear Assault ‘Live At Hammersmith Odeon’ - never has a 140 word review been so drastically sub edited) to the last one I did 5 minutes ago. Nice Fucking Life!

Fit For An Autopsy – Oh What The Future Holds (Nuclear Blast)

Fit For An Autopsy, are one of those bands that, for me, have been lumped in with what seems like a plethora of cookie cutter bands, bubbling away in the stew that is the Deathcore scene. All syncopated double bass… Continue Reading →

Cutterred Flesh – Sharing is Caring (Transcending Obscurity)

There’s nothing that will get you out of bed quicker than a lovely dollop of death metal on a Wednesday morning, but rather than provide a shining beacon of light into what can be best described as a shithole of… Continue Reading →

Swamp Coffin – Noose Almighty (APF Records)

If you care to rewind back to a time before Covid stretched its shit caked claws into society’s chest and ripped out all that is good, clean and holy, to a sunny August afternoon in 2019 when I was fortunate… Continue Reading →

A.W.A.P. – Bigger Society (S/R)

Metaphorical cards on the table, Ipswich’s A.W.A.P. (Ant Walking Alligator People – a noun given to the survivors of the Hiroshima atomic blast) feature someone I know very, very well. And when I say  I know them well, A.W.A.P. vocalist… Continue Reading →

Feed The Corpses To The Pigs – This Insidious Horror (Horror Pain Gore Death Productions)

Winter is coming, you can feel it creaking and crackling just over the horizon like a pensioner who’s slipped on the ice. Its icy tendrils are starting to slip inside your warm carcass, stroking your cosy innards in a fiery… Continue Reading →

Kowloon Walled City – Piecework (Neurot Recordings)

Bleak, minimalist, sparse, cold and vast, just some of the words that come to mind when describing Oakland’s Kowloon Walled City who return with this, their first album in over six years. I must admit, straight out of the gate,… Continue Reading →

Diagonal – 4 (Cobblers Records)

Diagonal, hail from the pebbly multicultural mecca of Brighton, which over the years has seemed to morph from just another seabound slide into retirement into a bubbling caldron of counterculture, expressionism and tolerance. I have spent many a lovely time… Continue Reading →

Aeons – Consequences (S/R)

Hailing from the home of the ‘Manx Missile’ Mark Cavendish (that’s for all you cycling fans out there, of which I am sure there are many reading this review), Isle of Mann’s Aeon, follow up their 2019 album ‘A Tragic… Continue Reading →

Nunslaughter – Red is the Color of Ripping Death (Hells Headbangers)

I have to admit something here, and it doesn’t do my already tenuous ‘metal’ credibility any good, that for a band that have been around since the mid to late 80’s, Nunslaughter are a band I have never…. ever heard… Continue Reading →

Between the Buried and Me – Colors II (Sumerian Records)

Music, by its very nature, is the dictionary definition of ostentatious. Said band/musician writes a song and thinks ‘I have to share this, so others may gasp at my genius’. The very nature of an ‘artist’ lends itself to an… Continue Reading →

Molis Sepulcrum – Left For Worms (Pulverised Records)

Spellcheck nemesis Molis Sepulcrum, seem to be keeping a low profile on the old socials, almost as if they are either in a witness protection scheme having given up the goods and turned state against the Hungarian Mafia, or it’s… Continue Reading →

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