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Author Martin Harris

Rock and metal have been in my existence for about 30 years and saw me go through a rapid weaning period that covered AC/DC, Maiden, Saxon, Whitesnake, Motorhead, etc from about 1982 to 1984 before shifting to thrash in the summer of 1984. At that point my only mission was to find the fastest, most violent music on the planet resulting checking out every genre in extreme music from death metal and grindcore to crust punk and hardcore all of which I still adore today and buy albums from and go see live. During the 80s I grew up in the infamous Bradford thrash scene, a time I still dearly miss such was the inventiveness and great camaraderie it held. I’m a bit of phase metaller, going from one style to another, through sheer investigation of finding something new, but always sticking with them all. I’m a total sucker for double bass and blast beats and always will be no matter what genre it comes from. I absolutely detest people that have joined the metal scene because it is trendy or their mates like it, likewise I detest people who are shallow and think this music is a fad of growing up. Most of us are extremely well educated and articulate individuals who prefer freedom of self expression than indoctrination by mass media organisations hell bent on artistic sterilisation. Much of my cash is spent on following metal and I wouldn’t change a thing about it because it is the best music scene in the world.

Putrid Yell – Consuming Aberration (Pulverised Records)

I have a penchant for going for bands hailing from our metallized South American brothers and sisters and any band named Putrid Yell has got to be someone that likes that gnarly side of death metal surely. This Chilean band… Continue Reading →

Hyrgal – Sessions Funéraire Anno MMXXIII (LADLO)

I have had the privilege of reviewing this French bands last four releases going back to 2017’s ‘Serpentine’ album and during that time Hyrgal has been steadfastly consistent yet highly ambitious in writing provocative searing black metal, that touches base… Continue Reading →

Grimentity – DSM-5. The New Chapter (S/R)

This album by Belarusian death grinders Grimentity has been out since February 2022, so quite why it has taken so long to hit the players of Ave Noctum is puzzling considering how bloody good it is too. Predominantly grindcore based… Continue Reading →

New World Depression – Interment Of Sins (S/R)

Ah, the sweet savage sound of planet crushing death metal courtesy of Germany’s New World Depression whose sixth full length comes hurtling from your speakers like an atomic bomb dropped from up on high. I really liked this bands last… Continue Reading →

Heretic Plague – Context Is A Stumbling Corpse (Selfmadegod Records)

Having released a two track demo in September 2022 the duo of Adam Watts and Tom Bradfield have quickly released their debut album with its seemingly curious title and equally curious, if a little disturbing, cover art. Both of the… Continue Reading →

Utilitarian – Gaslights (S/R)

If there ever was a soundtrack to what is happening in the world today then UK’s Utilitarian sum it up through 14 tracks of pervading sonic vehemence. Their last couple of releases were unrelenting and vitriolic tirades about the world… Continue Reading →

Ars Notoria – Chronicles (Great Dane Records)

Antoine Grasser is the head honcho is this single mind project hailing from France releasing this decent debut and even getting the release on a quality label. Antoine is a musician and here he does all the guitar work, bass… Continue Reading →

Grieve – Wolves Of The Northern Moon (Werewolf Records)

It looks like the nails I hammered into the coffin of this Finnish band’s first and supposedly only full length were premature as the duo of V-Khaoz and Werwolf of Vargrav and Satanic Warmaster respectively, to name just one notable… Continue Reading →

Shores Of Null – The Loss Of Beauty (Spikerot Records)

If you trawl the Ave Noctum archives then you will come across my review of this bands second album ‘Black Drapes For Tomorrow’ which I absolutely adored and still do as this unique Italian metal band often defies categorisation even… Continue Reading →

Whore Of Bethlehem – Ritual Of Homicide (Comatose Music)

You’re probably already thinking it, if you don’t already know that is, but yes I suspect this band’s name comes from the title of Archgoat’s 2006 album and is a bloody good band name too. There’s nothing like blasphemic controversy… Continue Reading →

Depraved Murder – Unethical Terrestrial Collapse (Comatose Music)

I’ve reviewed a fair few Comatose Music releases over the years and if one thing is resolute about the label it’s that you can rely on hearing some of the most brutal extreme releases that death metal has to offer… Continue Reading →

Bastard Grave – Vortex Of Disgust (Pulverised Records)

Sweden’s Bastard Grave know exactly how to cave your skull in, you’ve only to listen to the bands previous two full lengths to realise this as their third grotesque monstrosity continues that path with more unadulterated filth. Bands like this… Continue Reading →

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