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Author Martin Harris

Rock and metal have been in my existence for about 30 years and saw me go through a rapid weaning period that covered AC/DC, Maiden, Saxon, Whitesnake, Motorhead, etc from about 1982 to 1984 before shifting to thrash in the summer of 1984. At that point my only mission was to find the fastest, most violent music on the planet resulting checking out every genre in extreme music from death metal and grindcore to crust punk and hardcore all of which I still adore today and buy albums from and go see live. During the 80s I grew up in the infamous Bradford thrash scene, a time I still dearly miss such was the inventiveness and great camaraderie it held. I’m a bit of phase metaller, going from one style to another, through sheer investigation of finding something new, but always sticking with them all. I’m a total sucker for double bass and blast beats and always will be no matter what genre it comes from. I absolutely detest people that have joined the metal scene because it is trendy or their mates like it, likewise I detest people who are shallow and think this music is a fad of growing up. Most of us are extremely well educated and articulate individuals who prefer freedom of self expression than indoctrination by mass media organisations hell bent on artistic sterilisation. Much of my cash is spent on following metal and I wouldn’t change a thing about it because it is the best music scene in the world.

Slit Your Gods – Dogmatic Convictions Of Human Decrepitude (Comatose Music)

One look at the line up within this new Spanish technical death metal act and you see a wealth of experience honed to slaughterous surgical perfection within the bludgeoning realms of Arthropodal Humanicide, Ineffable Demise, Avgrunn and Fall Of Mankind… Continue Reading →

Katavasia – Magnus Venator (Floga Records)

There is something sublime about Katavasia’s sophomore album, a majesty that flows out from the nine tracks that is probably down to the experience within the ranks of its members that has come from Varathron, Hail Spirit Noir, Aenaon to… Continue Reading →

Thurisaz – Re-Incentive (S/R)

I was lucky, even grateful, to catch this Belgian act the Graspop Metal Meeting in 2017, even if my travelling companions didn’t seem that impressed with the band whilst watching them. Their atmospheric brilliance was staggering to watch so getting… Continue Reading →

Ominous Resurrection – Judgement (Terratur Possessions)

I’m sure many of you, like me, follow labels, because they have a sense of what bands are good and US black metallers Ominous Resurrection have been picked by the Norwegian label for this second album. The trio comprising this… Continue Reading →

Núll – Entity (Ván Records)

〇 or sometimes called Núll is an assault on your senses, this Icelandic band comprising members of Carpe Noctem, Misþyrming, Vonlaus and Naðra is formidable to say the least and with the single track ‘Null & Void’ composition released in… Continue Reading →

Frostvore – Drowned By Blood (Testimony Records)

One look at this Japanese band’s moniker and you’d possibly think black metal, then you’d look at their label and think again and you’d be right as this Far East bunch play old school Swedeath from way back and I… Continue Reading →

Ages – Uncrown (Black Lodge Records)

The rather innocuous moniker exhibited by this Swedish melodic black metal outfit belies the majestic fluidity that sweeps over the listener with this second album. Information is scant it seems surrounding the Swedes but within the ranks of this outfit… Continue Reading →

This Is Endless – Formations Of A World Below (Endless Records)

This review would have been penned sooner if my computer hadn’t decided to have a boot up error on a day that was plagued with problems and binned as a nonstarter in the end. However I eventually resolved the issue… Continue Reading →

Straight Hate – Black Sheep Parade (Deformeathing Productions)

This Polish grind act’s second album has been out since September 2019 but has only just hit Ave Noctum nearly a year later which is a shame because it is a truly gargantuan grindcore release. Since then the band has… Continue Reading →

Sepulchral Curse – Only Ashes Remain (Transcending Obscurity Records)

When you delve into death metal through the decades within the specific scenes around the world you find that each part of the world has its own take on the style and one area that has always really caught my… Continue Reading →

Temple Of Dread – World Sacrifice (Testimony Records)

Yet another fine death metal release on the Testimony roster, this time by Germany’s Temple Of Dread with their second album ‘World Sacrifice’. The band’s debut ‘Blood Craving Mantras’ was no slouch either from 2019, indeed I’d say both albums… Continue Reading →

Evil Warriors – Schattenbringer (Into Endless Chaos Records)

Anyone into their metal will tell you immediately that this German black metal act’s band name is from a Possessed song from their debut album ‘Seven Churches’ whether intentional or not, but therein lies the only similarity to the US… Continue Reading →

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