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Author Martin Harris

Rock and metal have been in my existence for about 30 years and saw me go through a rapid weaning period that covered AC/DC, Maiden, Saxon, Whitesnake, Motorhead, etc from about 1982 to 1984 before shifting to thrash in the summer of 1984. At that point my only mission was to find the fastest, most violent music on the planet resulting checking out every genre in extreme music from death metal and grindcore to crust punk and hardcore all of which I still adore today and buy albums from and go see live. During the 80s I grew up in the infamous Bradford thrash scene, a time I still dearly miss such was the inventiveness and great camaraderie it held. I’m a bit of phase metaller, going from one style to another, through sheer investigation of finding something new, but always sticking with them all. I’m a total sucker for double bass and blast beats and always will be no matter what genre it comes from. I absolutely detest people that have joined the metal scene because it is trendy or their mates like it, likewise I detest people who are shallow and think this music is a fad of growing up. Most of us are extremely well educated and articulate individuals who prefer freedom of self expression than indoctrination by mass media organisations hell bent on artistic sterilisation. Much of my cash is spent on following metal and I wouldn’t change a thing about it because it is the best music scene in the world.

Slithering Decay – Aeons Untold (Testimony Records)

This Belgian band’s moniker pretty much sums up the sonic output of these ten grisly tracks on their debut. Their old school filth riddled approach is a voracious submersion into a world of gruesome riffing amidst their veritable onslaught on… Continue Reading →

Desolat – Songs Of Love In The Age Of Anarchy (Bloodshed666 Records)

A release appeared in October 2020 and followed this Austrian band’s debut ‘Shareholder Of Shit’ released in February of 2020 both of which were pressed onto picture discs. The band defies categorisation on the five tracks here, something that was… Continue Reading →

Plasmodium – Towers Of Silence (Transcending Obscurity Records)

Just when you think blackened death metal cannot become more hideous, more horrifying along comes this disturbing Australian act hailing from Melbourne. I took the time to listen to their debut, ‘Entheognosis’’ before plunging into the murky world of their… Continue Reading →

Seth – La Morsure Du Christ (Season Of Mist)

On one listen I bought this seventh album by French act Seth, as it had that much impact on me. Of the handful of bands with the Seth moniker this French version is probably the most well-known. However it has… Continue Reading →

Ageless Oblivion – Suspended Between Earth And Sky (Apocalyptic Witchcraft)

Back in 2014 I covered this UK technical death metal outfits sophomore release ‘Penthos’ for another outlet and was taken aback by the unmitigated power the band wielded on every song. Added to that a savage performance at Bloodstock the… Continue Reading →

Minas Morgul – Heimkehr (Trollzorn)

Firstly I love the album artwork adorning this German bands seventh album, who I was completely unfamiliar with until now. The cover sums up the epic styling that Minas Morgul have in every one of their songs, capturing an emotive… Continue Reading →

Helslave – From The Sulphur Depths (Pulverised Records)

If you have read my reviews of the Cult Graves and Evulsed released from Godz Ov War Productions then you can add another US brutal death metal act to that list of pounding mayhem. This is the bands second full… Continue Reading →

Cult Graves – Strange Customs (Godz Ov War Productions)

This debut EP crept onto the earth in October of last year, being released digitally and on cassette but has been picked by the Polish label for a proper physical release plus this version has the bands 2018 demo tagged… Continue Reading →

Evulse – Pustulant Spawn (Godz Ov War Productions)

The Polish label has again grabbed hold of a late 2020 release, like the Cult Graves, to give it a further physical release via CD, on top of the cassette version that came out via Transylvanian Tapes. Similar the Cult… Continue Reading →

Shadowspawn – The Biology Of Disbelief (Emanzipation Productions)

A second album from this Danish outfit follows their excellent debut ‘Hope Lies Dormant’ released in 2017. It appears that there has been some rearranging in personnel since this album and a new skin beater (Danni Jelsgaard) has been added… Continue Reading →

Bewitcher – Cursed Be Thy Kingdom (Century Media Records)

I was lucky enough to be put onto this US act some years ago by one of our fellow scribes, Paul Maddison, when I heard one of the band’s early demos. Since then the band has gone from strength to… Continue Reading →

Nervous Decay – Nervous Decay (Great Dane Records)

This French band’s self-titled debut full length had me penning two contrasting reviews upon listening to it. One critiquing the release for being far too similar to mid-era Death and the other commending the musicians involved for attempting to recreate… Continue Reading →

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