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Author Angela Brown

If you've hazy memory of a short skinny girl with a mane of dreadlocks either scowling at you or spilling a pint on you at a gig, that was probably me, and I can only apologise. My preferred genres of music are doom and black metal; I frequent the London gig circuits for both. I have 10 years of writing experience under my belt and I am currently a content editor for Ghost Cult Magazine, as well as a scribe for both Terrorizer and Soundshock. My dreams and aspirations involve becoming editor of either my own publication or a pre-existing one (power is power, after all) and to bring the underground music scene the recognition and praise that it so rightfully deserves. I collect cats, patches and band shirts. Mine's an ale, if you're buying.

Earth – Full Upon Her Burning Lips (Sargent House)

With a career that spans almost thirty years, nine full length albums under their belt and a claim to have been the main creative influence behind Sunn O))), Earth are pretty much a household name for those with even the… Continue Reading →

Martyrdöd – Hexhammaren (Century Media)

In a genre with a blueprint as regimented as crust punk/d-beat’s, it’s difficult to see how after 18 years a band with these foundations could continue to keep things fresh, however, here are Martyrdöd doing just that. Returning from the… Continue Reading →

Sunn O))) – Life Metal (Southern Lord)

Sonic titans Sunn O))) return with their ninth full length album (the first of two due to be released this year) and the first album they’ve produced with Anderson and O’Malley as sole composers since the release of 2015’s ‘Kannon’… Continue Reading →

Waste of Space Orchestra – Syntheosis (Svart Records)

Originally commissioned as a one off performance for Roadburn festival, Waste of Space Orchestra comprises the entirety of the 10 musicians that make up both Oranssi Pazuzu and Dark Buddha Rising. On paper, this shouldn’t work – there are too… Continue Reading →

Crowhurst – III (Prophecy Productions)

Better known for his immersive live solo performances that defy genre, and releases titled ‘Fuck You Morrissey’ and ‘Fuck You Bono’ (just two of the records from his 75 strong back catalogue), Jay Gambit is prolific within the noise scene…. Continue Reading →

Conny Ochs – Doom Folk (Exile on Mainstream)

Best known in metal circles for his collaborations with doom legend Wino, German singer/songwriter Conny Ochs has carved a more than respectable name for himself elsewhere with three solo albums. Each a stripped back, dark and morose introspective, album number… Continue Reading →

Svartidauði – Revelations of the Red Sword (Ván Records)

Since the release of 2012’s ‘Flesh Cathedral’, Icelandic black metallers Svartidauði have been busy – amidst a plethora of live performances alongside the likes of Mgła and One Tail One Head, the trio have released three EPs and a live… Continue Reading →

OHHMS – Exist (Holy Roar)

‘Exist’, the second album from Kent’s favourite sludge band, OHHMS, is another heavy duty lesson in animal rights and pacifism. OHHMS take a slightly different approach to the preachy, condescending PETA activist mentality you’d expect from most bands covering this… Continue Reading →

Windhand – Eternal Return (Relapse)

Since the release of 2015’s ‘Grief’s Infernal Flower’, Virginian doom metal outfit Windhand have endured more than their fair share of upheaval; parting ways with one half of their founding guitar duo, Asechiah Bogdan, leaving Garrett Morris to carry the… Continue Reading →

Author & Punisher – Beastland (Relapse)

The phrase “industrial” when used in the context of music has always been one that has conjured images of cyber goths with plastic dreadlocks stomping along to the likes of Combichrist. Even the grittiness that lies within the heaviest moments… Continue Reading →

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