Author Angela Brown
Everyone’s favourite French Lovercraftian black metallers are back with their fourth album – since the release of 2012’s ‘Al Azif’ it feels as though the five piece have been chasing a high that they’ve never quite managed to recapture. Weaving… Continue Reading →
Releasing his sixth album in eight years, as well as three EPs and a collective, Otrebor has been a busy guy. Formerly the brains behind online music zine Maelstrom, the San Francisco native moved away from music journalism to release… Continue Reading →
Everyone moans about an early curfew at a gig, when deep down they’re glad they’ll be home in time to watch Family Guy and fast asleep by midnight – that’s looking to be the case this evening, until Desertscene announce… Continue Reading →
There was a time when a new Cult of Luna release was as certain as the turning of the tide or the changing of the seasons; a steady biennial cycle of albums and tours grew to feel comfortable for fans,… Continue Reading →
It’s been almost a decade since the release of Chelsea Wolfe’s debut ‘The Grime and the Glow’, in the 9 years that have followed her sound has grown and evolved alongside her popularity, often lauded as “the PJ Harvey of… Continue Reading →
It’s been 10 years since Winterfylleth made their debut performance at Bloodstock – one of the first open air festivals to take a chance on the now staple of British black metal when they were in their infancy. The band… Continue Reading →
2019 has been a truly exceptional year for the noise genre, with new releases from Merzbow, Lingua Ignota, Uniform and The Body and now Pharmakon’s fourth album, ‘Devour’. Margaret Chardiet’s output via the medium of Pharmakon has an iconic ability… Continue Reading →
Comprised of members of Bell Witch, King Dude, Serpentent, and Terminal Fuzz Terror, Sterling Serpent is already well acquainted with the world of gothic Americana and neo folk, while being all too familiar with the art of all things slow… Continue Reading →
Uniform and The Body’s first collaboration ‘Mental Wounds Not Healing’ was founded on a mutual appreciation of each other’s work; ‘Everything That Dies Someday Comes Back’ was written in the wake of high demand for more of the electrifying horror… Continue Reading →
Good god. Where the fuck to start with this? Formed of some of South London’s most renowned locals, you can probably already guess that this was recorded at the Cro’s Nest, ‘Ride My Dick’ is the debut album from powerviolence… Continue Reading →
If you’re familiar with the 2015 release ‘Empress/Abscess’ then there is no introduction needed for Illinois’ Immortal Bird. If this is your first encounter with the blackened sludge/crust four piece then you can expect a maelstrom of cross genre brutality… Continue Reading →
When you envision American atmospheric black metal, bands such as Wolves in the Throne Room roaming the Olympian wilderness or Agalloch traversing the snowy plateaus of Oregon’s Mount Hood spring to mind. What you don’t expect is the ever-twinkling skyline… Continue Reading →