Neofolk, the label most frequently attached to Heilung, doesn’t even come close to describing what the band are doing. Amplified history, the term they came up with themselves to define their art, is more fitting and actually pretty precise, but… Continue Reading →
Although the art form itself is centuries old, there has been a recent resurgence of interest in music using ancient Scandinavian instruments to recreate traditional atmospheres and to reconnect with ancient Nordic roots while still looking to the future. If… Continue Reading →
An Interview with Connor Sanders of Northern Extremity Promotions and Wyrdstaef. Jorvik: An ancient city which can wear many masks from modern tourist centre, through Dickensian Christmas timewarp to Viking and Roman settlement. This time of year though it is… Continue Reading →
Without going too far into the whys and wherefores apparently French composer/producer Christophe Voisin-Boisvinet found three singers whose voices had ‘atypical timbres’. Nope, not sure myself and even less having listened to this. I do know he found three very… Continue Reading →
Wardruna originally formed in 2003 and between 2009 and 2016 released the ‘Runaljod’ trilogy to ever increasing critical acclaim, using traditional Nordic instruments and poetic metres to support whispering voices, chants and choral pieces creating rich musical landscapes. It goes… Continue Reading →
This is the second collaboration between Enslaved and Wardruna luminaries Ivar Bjornson and Einar Selvik after the success of their Skuggsja work. If you enjoyed that album, then there’s no reason why this follow up shouldn’t snuggle up right next… Continue Reading →
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