Since the release of 2015’s ‘Grief’s Infernal Flower’, Virginian doom metal outfit Windhand have endured more than their fair share of upheaval; parting ways with one half of their founding guitar duo, Asechiah Bogdan, leaving Garrett Morris to carry the… Continue Reading →
The phrase “industrial” when used in the context of music has always been one that has conjured images of cyber goths with plastic dreadlocks stomping along to the likes of Combichrist. Even the grittiness that lies within the heaviest moments… Continue Reading →
To release one monster of an album in 2018 is no mean feat. To do so with the wait of expectation from a rabid fanbase weighing like a concrete albatross is truly magnificent. For Matt Pike to follow up Sleeps’ “The… Continue Reading →
All that I have read, seen and heard recently about the American South has been synonymous with weird, backward ideas (to put it politely). It looks like the majority of the people there is trying very hard to undo some… Continue Reading →
If like me, you were only vaguely aware of All Them Witches, it would be fair to expect them to be an out and out doom band from their name alone, fitting in so well as they would with such… Continue Reading →
When the status of legendary is bestowed upon a band there are all manner of complications. Although this undying crown brings popularity and bravado it also brings expectation and critique. Many a band has released a stand out testament to… Continue Reading →
Boston’s Technical Death/Thrash Metal titans Revocation are back again and adding their latest effort into what has been a packed 2018 in terms of album releases, both released and upcoming. Whilst people have been heaping praise on bands like Behemoth… Continue Reading →
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