‘Giallo’, noun. A genre of Italian cinema of murder mystery fiction that often contains slasher, thriller, psychological horror, sexploitation, and less frequently, supernatural horror elements with a heyday from the late nineteen sixties to mid nineteen seventies. As starts to… Continue Reading →
As folks say these days, “spoiler alert”; before you scan to the score at the bottom of this page I feel absolutely compelled to announce that with ‘The Old Ways Remain’ Canada’s Blood Ceremony has shot straight to the top… Continue Reading →
I’ve been glad to say I’ve been following Uncle Acid And The Deadbeats (hereafter to be abbreviated to Uncle Acid; no disrespect to The Deadbeats, but it’s quite a long band name) since the early days. I won’t pretend to… Continue Reading →
“Doom, Stoner and Shoegaze” are the descriptions that accompany this album. I would add in a healthy dose of Garage Rock and Goth too. There is a distinct air of fuzz about the guitars that underpin this album with a… Continue Reading →
The shadow of Grace Slick looms large over the Retro Psyche/Doom world of today. From Purson and Avatarium to Jess and the Ancient Ones her vocal influence and the stylings of Jefferson Airplane transcend the decades and filter into the… Continue Reading →
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