After a decade or so behind the scenes producing music for other artists Jim Davies returned to the fold himself with 2020 release Headwars. I reviewed that elsewhere and described it as “fun, footloose and fancy free’ and it was… Continue Reading →
Vestindien is the name of Bergen’s last known brothel, the band who took their name from this pleasure palace/oppressive sex slavery den, started as a hardcore band in 2009 and quickly disappeared. Dormant they lay in Norway until recently resurfacing with a new sound… Continue Reading →
I will admit that, despite the logo appearing familiar to me, Belgium’s Emptiness have not entered my auricular notice before. As such the dreamy, dark, post punk meets trip hop compositions of Vide do not surprise me so much as they would fans of the bands earlier Black and Death metal oeuvre …. Continue Reading →
I reviewed Rotting Kingdom’s three track EP back in early 2018 (remember those relatively sane times, readers?), giving it a hefty 8/10, and wanting to hear more. Well, with just a couple of years in the old time-bank, the Kentuckian… Continue Reading →
I first came across Video Nasties, a 5-piece Liverpool-based band who can be best described as a blackened and grizzly tribute to John Carpenter. By blending the heaviness and harshness of Entombed and Carcass with the cinematic power of Carpenter’s… Continue Reading →
Nothing melts my frozen heart as much as the current resurgence of Post Punk sounds. (You say post punk I still like to say Goth). With bands like Beastmilk and Publicist UK coming out of the dry ice in the… Continue Reading →
Polish sludge wouldn’t necessarily be something you would imagine yourself listening to, instead maybe something you’d pick up at your local corner shop and drink. But lazy cultural stereotypes aside, this is epic sounding (at least on paper) post metal/rock/sludge/doom…. Continue Reading →
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