Well, I wasn’t really expecting this, if I’m honest. Of course, judging a CD by its cover can be a risky business at the best of times, but upon looking at the smart monochrome cover of this package, I thought… Continue Reading →
OK before I start let’s just shift this here elephant out of the room; that’s a terrible cover and this day and age I’m not convinced there’s an excuse unless it’s deliberately bad. Thankfully this isn’t an art review. Sadly,… Continue Reading →
Whilst not the biggest of labels out there, Argonauta Records has delivered some real treats over the last couple of years that still manage to get regular plays here at Chez Spenny, no mean feat when I look at the… Continue Reading →
Bewildering. It can be a good or a bad description. I think the last time that word fell to nicely summing up music for me was Mastodon’s ‘balance point’ album Blood Mountain; the one where their sludge based heaviness still… Continue Reading →
Another new act, or at least new to me, to review with South Louisiana rockers Vermilion Whiskey and the EP ‘Spirit of Tradition’, and as you might expect, the influences of the American South are there in spades. ‘Road King’… Continue Reading →
New band, new EP, new review to be written, so Desert Kingdom’s eponymous EP gets a spin. But hang on, have I made some sort of technological mistake ripping the album, because whilst the player says ‘You’ll Burn’, my brain… Continue Reading →
‘Ouija’ is the debut album from doom crew Dead Witches, a band formed by Electric Wizard’s Mark Greening and Psychedelic Witchcraft front-woman Virginia Monti, a band that during their short existence have had to deal with the tragic death of… Continue Reading →
This US band’s sixth album promises “extreme metal and polarising tension”. The essential framework, at least to start, is harsh reflective post metal recalling wildernesses and epic scenes. Large chords abound but the ferocious winds and indeed growls die down… Continue Reading →
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