I was really impressed with Portland’s debut EP which eventually got released physically in this same label. Now with this next one, Troll have upped their game and entered the elite club of post civilisation doom. They have had many… Continue Reading →
I have to say that if you let your PR company send out a release that says you are unique and coin a new sub genre for you, you’d better brace yourself as some smartarse reviewer will tell you you’re… Continue Reading →
Sometimes the name of a band can really describe their sound. For example, if the band name sounds like a Klingon coughing up a stubbornly lodged pubic hair, you’re probably right to assume it will be an extreme metal act…. Continue Reading →
The first thing is that this demo is by Satyagraha from Perlis in Malaysia, not any of the alternatives of the same name out there. The term satyagraha itself is best known for meaning passive political resistance in the Gandhi… Continue Reading →
Firstly, allow me to climb up upon my high horse and shout; “FEMALE FRONTED IS NOT A GENRE!” Right, now I’ve got that out of my system and dismounted having had my rant against lazy reviewers (yes, I’m sure I’ve… Continue Reading →
There’s something very satisfying in the earthy, deep and reverberating bass lines of stoner rock. They go straight to your guts and remind you of your most basic feelings and instincts. I liked that sound when it first appeared and… Continue Reading →
So, gentle reader, what do Jack Gibson of thrash stalwarts Exodus and Steve Martin of Saturday Night Live and many other shows and movies fame have in common? No? Go on, guess, and I believe any answer that involves “a… Continue Reading →
On first looking at the sleeve of ‘Closer To The Edge’ with its oh so American muscle car on the front, opening track of ‘Hit The Road’, and band member names of “Nasty A” and “Rattlesnake”, Sons of Cain must… Continue Reading →
A certain amount of excitement develops whenever Satan’s Satyrs release some new work. The band remains active with a steady stream of LP’s, split releases and EP’s but “The Lucky Ones” does find them in a slightly different space with… Continue Reading →
Since the release of 2015’s ‘Grief’s Infernal Flower’, Virginian doom metal outfit Windhand have endured more than their fair share of upheaval; parting ways with one half of their founding guitar duo, Asechiah Bogdan, leaving Garrett Morris to carry the… Continue Reading →
For the last few weeks, I’ve been mostly listening to music wallowing in misery, sickness and despair. Predominantly post metal and some experimental stuff. It agreed with me, but like someone eating the same meal every day for days on… Continue Reading →
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