A bit of psych rock here from the only band I’ve ever encountered with a semi colon in their name. Not sure what the IRSE is about but I doubt it stands for the Institute of Railway Signal Engineers. Band… Continue Reading →
Every now and then, a record comes out of the blue that takes you totally by surprise – and Klimt 1918’s first album in eight years is very much one of those releases. The initial signs were not hugely promising… Continue Reading →
Who says music can’t still have an aura of mystery about it in the internet age? You don’t just have to wear masks to have an air of intrigue about you either. Take Dolch for example. Not only do they… Continue Reading →
Wow, if there’s a list for transformations of 2014 then Lincolnshire duo Self-Inflicted Violence would surely be at the number one spot. Since forming in 2007, the pairing gained a reputation in the underground for playing harrowing depressive black metal…. Continue Reading →
Now, the cynic inside of me might take a look at this and dismiss it as little more than Relapse attempting to jump on the shoegaze bandwagon that continues to trundle forwards with ever increasing momentum. The combination of extreme… Continue Reading →
Here’s an odd one for me: Black Mare is basically a solo vehicle for Sera Timms, bassist and vocalist with Ides Of Gemini and the (I think defunct) Black Math Horseman. And from my limited acquaintance, it’s unlike either. This… Continue Reading →
Third studio album from Dallas ‘stonegaze’ trio, True Widow, is a bit of a mouthful – ‘Circumambulation’ – meaning to move around a sacred object or idol is the perfect title when considering the lustrous sound this opus encompasses. The… Continue Reading →
And whilst we’re on the subject of ‘not metal’… this is an interesting one. Les Discret’s affecting and pastoral 2010 debut ‘Septembre et Ses Dernières Pensées’ was generally considered to be ‘not metal’, as much by its creators than anyone… Continue Reading →
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