If you were to play Limb’s sophomore record ‘Terminal’ straight after 2014’s self-titled debut, without knowing who they were, you’d probably assume you were listening to two completely different bands. This isn’t the case, however, it’s just the London four… Continue Reading →
I will start out by helping you out. It’s pronounced “oofomammoot”. I am not being patronising. This is a moniker I have seen in print many times but never heard said aloud by anyone with any conviction. It means UFO… Continue Reading →
The place is Latveria, and on upon his iron throne, the absolute monarch of the country Doctor Victor Von Doom seethes within the armour that is his battle suit and second skin. “How is it that I am again defeated… Continue Reading →
There isn’t much to do whilst living on an island in the middle of the English Channel (Guernsey) and luckily for our listening pleasure, Byzanthian Neckbeard have used this lack of activities to hole up in an abandoned bunker from… Continue Reading →
Sometimes this reviewing lark can be a real drag and seem like work, other times, a real gem arrives and restores a bit of faith in the music. I’m glad to say, Clouds Taste Satanic fall firmly in the latter… Continue Reading →
Worshippers of the riffs of Sleep and Om, set down your bongs and take note; Canadian duo Zaum are about to become your new favourite band. The Middle Eastern sounding twang of the sitar that is the driving force behind… Continue Reading →
Y’know now I think about it I’m sure Purple Hill Witch was the answer I got when I did a ‘What Is Your Stoner band name’ internet quiz. Ahem. Anyway: Hailing from Oslo, and either named after a mound covered… Continue Reading →
With a cover reminiscent of something out of Hellboy, Goatess’ self-titled debut certainly stands out. Titled The Birth Of Pan it features what looks like an unborn faun in the womb; strangely beautiful and pretty hard to ignore. What lurks… Continue Reading →
The first demo from Rhode Island five piece Balam is a slow burner of three lengthy tracks that span just over 30 minutes. Originally recorded in a session of just 12 hours, the quality of the material was so impressive… Continue Reading →
These Oxfordshire natives are playing some fuzzed out, trip-tastic doom, like a cross between UK contemporaries Slabdragger and Trippy Wicked engaging in bong related incidents whilst making noises. These noises are over 30 minutes and there are only four tracks… Continue Reading →
High On Fire don’t release soft albums, ‘De Vermis Mysteriis’ (translation: ‘The Mysteries of the Worm’) is the bands sixth studio release, and from the opening moments of the album, you are in for a heavy Sabbath/doom inspired metal monster…. Continue Reading →
Stangala are French on a Russian label and singing in Breton (which is kind of related to Welsh and other celtic languages). They are also patently barking and seem to enjoy nothing more than dressing up as monks and doing… Continue Reading →
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