Having had the pleasure of bathing in KEN mode’s particular oily ooze whilst reviewing their last full-length album (2022s ‘Null’) it proved almost impossible to fully grasp what the band were attempting. Re reading the slightly hysterical and hyperbolic praise… Continue Reading →
Sitting as always in the office at the end of my garden, looking at the birds and the bees go about their business, blissfully unaware of anything, after what has been a challenging week of work-related bullshit and triviality, I… Continue Reading →
There’s a lot to unpick here when dissecting this, the third album from Bunuel, a supergroup of sorts from the malcontent, the ostracised, the damaged, the put upon, the depressed, the outliers, the three percent, the curious, the avant-garde and… Continue Reading →
It’s the end of a challenging, yet somewhat Groundhogian (it’s not a word but should be) week, where life has seemed to pass by, less like a blur but more like a slightly injured slug who’s been on the piss… Continue Reading →
In what could only be described as any self-respecting fan of so called ‘Noise Rock/Metal’, this judicious melding of minds between Chris Spencer (Unsane), Jim Coleman’s sampling mayhem (Cop Shoot Cop), Phil Puleo (Cop Shoot Cop/Swans) and sticky, pounding bass… Continue Reading →
For once the press info is spot on. This is promoted as “wild, whacky, proggy and crazy” and that it exactly what it is. The band photo of two disfigured faces pressed up against a car window nicely transmits the… Continue Reading →
What an irresistible pairing! It’s one you’d never dream to put together, but upon hearing of Jarboe and Helen Money’s collaboration you can’t help but think about how right it feels and marvel at how this hasn’t always been an… Continue Reading →
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