So this new Tantal album came my way and as I always like to do before I embark on a review, I read what the label/promotions agency have to say about the band. What instantly intrigued (and amused) me about… Continue Reading →
When nostalgists wax lyrical about the 1990’s there is something that is always overlooked amongst the plaid shirts, baggy tie dye and bucket hats. At one point you would have found me jumping around a field in Berkshire (more specifically… Continue Reading →
Selcouth apparently is an adjective, which means strange, unusual and wondrous. The band, which is a collective of musicians from Finland, France, Spain, Russia and Argentina, most certainly got their name right. What I sensed here was an avant-garde artistic… Continue Reading →
I’m always wary whenever I see term “avant-garde” applied to a band. This is the case with Russia’s Lashblood. It doesn’t take long on this follow-up to the band’s debut album “Philosophy of Self-Flagellation: Being and Nothing” (2012). A withering… Continue Reading →
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