With a production value as rough as a hangover, Queen Elephantine cast a little one-take stardust over their music. It’s lo-fi and dissolute. Hearing them recorded can’t be far away from the aural experience of seeing them live. Feedback and… Continue Reading →
Here’s a band which needs no introduction. Suffice to say that this is their twelfth album, and it was recorded in Wales. Mr Åkerfeldt seems pretty happy with it, describing it as “fresh and old, both progressive and rehashed, heavy… Continue Reading →
Sweden has been a notable player in dishing up quality retro rock bands. Graveyard and Horisont leap to mind as two, who over recent years have kept the vibe of the classic rock era alive in this part of the… Continue Reading →
Anyone who has been foolish enough to waste their precious time reading my ramblings over the last couple of years will know I’ve been a fan of Blues Pills from the get go, first catching them way down the bill… Continue Reading →
There are two sides to every story and sometimes it’s not entirely clear which side is the true version of events. Whether it is about a group of beings hailing from Burlatia, Venus, set on destroying the world through the… Continue Reading →
Hey folks, do your shelves at home groan under the weight of Bon Jovi’s albums? Like Kiss, do you want to “rock and roll all night, and party every day”? Do you hear the phrase “extreme metal” and think of… Continue Reading →
It’s been quite a while since I heard anything from these Swedish stoners, having long ago acquired their second album, 2008’s ‘Constants in an Ever Changing Universe’, and missing out on catching 2013’s ‘Salvation’. So, with the best part of… Continue Reading →
There are two things that made me plump for this album; firstly the band name which is plain weird and secondly it is an instrumental album which is a sub-genre I have immersed myself into and has given me some… Continue Reading →
Self described “rock n’ roll gypsies” from Sweden, this quartet may actually be gents going down the retro route rather than ladies but as to the gin side of things no doubt a few glasses were raised during the composition of… Continue Reading →
So used to seeing Conny Ochs alongside Scott Weinrich, it’s easy to forget that Ochs already has two albums all his own. Third addition to this, ‘Future Fables’ further proves that the German singer/songwriter doesn’t need the St. Vitus frontman… Continue Reading →
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