In the same way that Tool redefine musical boundaries and structures, so do Minutian from Finland. ”Repercussions” matches the claim they make to have an unusual angle on progressive music. What is remarkable is that it is their debut album…. Continue Reading →
The progressive scene in Poland is very interesting. Spearheaded by Riverside and supported by excellent bands like Votum and Acute, here’s another one. In fact Disperse draw influence from Cynic, Dream Theater and Pink Floyd with this, their second album…. Continue Reading →
Here’s a theory. Bands with four letter words have something interesting to say: Tool, Rush, Root, dEUS, Wham! Ok, perhaps this isn’t universally true but it certainly works for Boil from Denmark. It took me a while to get to… Continue Reading →
Having changed their name from the cumbersome ‘New Keepers’ to the far more palatable and memorable ‘New Keepers Of The Water Towers’ back in 2009, NKOTWT have been slowly but surely carving themselves a reputation in stoner/doom circles. The Swedes… Continue Reading →
I go along with the commonly held view that King Bathmat are impossible to place in one single category other than the all-embracing “progressive”. Their music is comfortingly familiar. “Truth Button”, King Bathmat’s sixth album, is like a relaxing river… Continue Reading →
Trillion Red and the man behind them Patrick Brown are back with a debut album following on from last years EP taster ‘Two Tongues.’ Said EP slightly confused me although on the whole I certainly enjoyed it whilst saying I… Continue Reading →
“Yurei returns with a work venturing further into the weird”. This work of unlimited psychological self-expression and arguable insanity from the Norwegian artist Bjeima introduces a “parade of Dali-like creatures of the night: twisted, progressive, Lynchian tracks with hectic Balkan-inspired… Continue Reading →
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