Tag Progressive Metal
Once upon a time there was a London metal scene, smug and self-satisfied with the plethora of bands turning out on a weekly basis at venues such as the Red Eye and The Standard. Then in 1999 along came a… Continue Reading →
From the mere mention of Limb Music, anyone who is familiar with the genre can hazard a guess that Wonders’ debut will have something to do with Melodic/Progressive/Power Metal to varying degrees, but maybe before we get into that there… Continue Reading →
Kayo Dot’s last album “Blasphemy” (2019) had me hanging onto every note. The discovery of this band was amazing. When you think that musicians have drained the creative pool like draining all the fish from the sea and there is… Continue Reading →
2021 has not been kind to Australia’s music scene. Roving lockdowns and tighter measures implemented for public safety have put a halt on plenty of live events across the country, but that hasn’t put the brakes on the creation of… Continue Reading →
I don’t really understand Djent fully, it’s also a silly name for a genre. I don’t even really know if I’m the biggest fan of it, but conceptually it’s a cool idea. Tech Metal is also something I’m not that… Continue Reading →
Well Ave Noctum were invited to review this by some weird toad worshipping cult. So, for some reason I ended up with it. Ribbit. Go figure. So, a two track twenty odd minute bit of toad worship huh? No, I… Continue Reading →
In 2013, I took part in the tongue-in-cheek promotional video for ProgPower Europe the following year, and remember promoting Aeon Zen. The irony was that I then couldn’t make that ProgPower so never actually saw the band I’d helped to… Continue Reading →
If Jasun Tipton is involved, the music will be progressive and technical. This is the man behind Abnormal Thought Patterns, Zero Hour and my favourite of his bands Cynthesis. It was a real treat to receive this one, the second… Continue Reading →
Hailing from the home of the ‘Manx Missile’ Mark Cavendish (that’s for all you cycling fans out there, of which I am sure there are many reading this review), Isle of Mann’s Aeon, follow up their 2019 album ‘A Tragic… Continue Reading →
I first saw Leprous in 2010 at ProgPower and was impressed by their freshness and originality. In the intervening years, I’ve seen them live a few more times and bought their albums up to “The Congregation” (2015) which I particularly… Continue Reading →
Music, by its very nature, is the dictionary definition of ostentatious. Said band/musician writes a song and thinks ‘I have to share this, so others may gasp at my genius’. The very nature of an ‘artist’ lends itself to an… Continue Reading →
The clue may be in the band name or the album or track titles, which have to do with higher places. Actually, thanks to the guitarist sending in a nice little bio, and a bit of wider research of my… Continue Reading →