Pencey Sloe sounds to be the name of a US private detective but this couldn’t be further from the truth. In fact it is a Parisian musical trio which comes with the approval of Alcest and plays dark and ethereal… Continue Reading →
Formally known as Pet Slimmers Of the Year, the far pithier PSOTY return from a lengthy sabbatical with this their second full length release and follow up to 2014’s ‘Fragments Of Uniforms. I already like them though hailing, as they… Continue Reading →
Parisians, Lost In Kiev, return with this their third full length effort that see’s the band step off their well-trodden path of long form epic stanzas of alt/math rock mini operas and segue into shorter more direct songs. It feels… Continue Reading →
Seven musicians create some sort of fusion. With a double bass and a saxophone in tow, the Beatles, Russian Circles, Napalm Death, Meshuggah and Rimsky-Korsakov are amongst many from many classical and modern pop and metal genres who get mentioned… Continue Reading →
Post-rock is dead. There, I’ve said it. The genre has been creatively bleeding out for years now with repetition after repetition and a total lack of new and creative ideas, making one release sound much like every other. However, when… Continue Reading →
It’s been a busy year for the Austrian post-black metal scene. After a brilliant album by Harakiri for the Sky in February and a recent EP by Anomalie, now it’s Karg’s turn to unleash its misery upon the word. All… Continue Reading →
This is one of those releases you could write a treatise about (not that such releases are abundant). Its scope is so ambitious, it borders on megalomania. But that’s fine with me. Who has ever achieved anything significant by setting… Continue Reading →
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