How many more reviews of post rock albums can I write that start off with me wondering about the longevity of the genre? There might have been a few too many already. So, instead of once again expressing my astonishment… Continue Reading →
Nice artwork. I like this sort of thing. I didn’t know of Endless Dive before this came my way but it’s evident that they are of an artistic persuasion, speaking of visualising the music and managing the intensity of the… Continue Reading →
My recollection of seeing Nordic Giants live is of two men with strange headgear on a dark stage playing weird and wonderful music with a big screen mirroring the strange and at times extreme journey. This journey starts out ominously…. Continue Reading →
Now here’s a thing: a post-rock, ambient doom work which is experimental. Its creators Fere are from Portugal and this is their second album release. The opener “Atlas” doesn’t tear up trees but I’d suggest is all the better for… Continue Reading →
Music of an experimental shade has a special appeal, because it has an inherent possibility of going just about anywhere, of taking any possible road. I like the way experimental music takes my mind to all sorts of places, the… Continue Reading →
In times when shows are still few and far between, a live album is a welcome change. I enjoyed listening to the album at hand, even though the music belongs to a genre I rarely get excited about nowadays. But… Continue Reading →
Coming from the same camp as sleepmakeswaves and We Lost the Sea, cinematically-inclined instrumental post-rock band clayhands – it’s all in the lower case – now enter the scene. I liked the symphonic start. With a patient build up, there… Continue Reading →
“Crikey Ails! What we putting in the beer down the surf club. It’s all coming up post rock down under,” is exactly what Ray Meagher’s character Alf would have said if he was sent as many post rock albums by Birds Robe as I am. Well this time… Continue Reading →
I feel like I have gone from being clueless about what constituted “Post Rock” a decade ago to becoming the Ave Noctum specialist. In fact, to drill down even further I seem to be the go to guy for Australian instrumental post rock on Birds Robe records. My… Continue Reading →
The folks at Birds Robe have been busy re-issuing their catalogue, meaning that gorgeous looking CD’s filled with big post rock sounds have been dropping through my letterbox. With each dull thud on the door mat comes another collection of songs by a band… Continue Reading →
The Glasgow coma scale is a medical assessment tool, employed to gauge a person’s level of consciousness after a brain injury. It’s also the name of a post-rock band from Frankfurt, Germany. Why the band chose to name themselves after… Continue Reading →
Twenty two years. Eleven studio albums. These Japanese loons have had a long and hopefully lucrative career. I have dipped in and out of their eclectic sounds over the years – usually as part of playlists made by mates who were… Continue Reading →
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