Oh hell. There are some times your role sucks and this is one of mine. The problem comes when you get an album to review from a respected record company, with the PR sheet waxing lyrical and philosophical and great… Continue Reading →
My first experience of Exivious finds me questioning my relationship with metal and my own expectations of metal – at what point does something stop being metal and start being something else? The reason for this self-analysis is due to… Continue Reading →
These sparkly post-gazers first caught my attention just over a year ago with their debut mini album Sin4tr4 on Golden Morning Sounds. Now with Immortal Frost Productions they have expanded upon their lush and sometimes fragile soundscapes to bring out… Continue Reading →
Although normally ignoring them completely I could do with the PR blurb for this one but realise that it was a double sided one which was sent out with another release from the label. Work is cut out a bit… Continue Reading →
Station Dysthymia are a funeral doom band from Siberia, and ‘Overhead, Without Any Fuss, The Stars Were Going Out’ is their second full-length. I thought at first in my literary ignorance that the album title was the product of some… Continue Reading →
This is the eighth album by End of Green, so it’s not surprising that this album is presented with great clarity. Their production is geared to interesting rock songs with gloomy themes and gothic touches. They don’t need to rely… Continue Reading →
The cover image is of a wet city night. The scene of isolation could be the one we hear in this sextet of post rock pieces from this Finnish band. Actually, I didn’t think that “Prologue” was as gloomy as… Continue Reading →
I have varied tastes in metal even if it veers heavily towards NWOBHM, classic metal, raw/atmospheric black metal and true doom. I have no problem with bug fuck weird, painfully introverted, ambient or screeching noise. I love Neurosis. I love… Continue Reading →
Rip out the gnarled beasties that lurked within ISIS, the howling, human cyclone that was Aaron Turner and the sudden, throaty wall-of-sound guitar that Michael Gallagher was capable of, and you’re left with a bit of a soft touch. However,… Continue Reading →
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