What’s with that bird on the cover? Is this a picture of some kind of ritual I’m not aware of, or is it just a picture of a dead bird? Also, why is the bird placed on someone’s bound-together feet?… Continue Reading →
Probably since the time of hunter-gatherers to expose your back has meant to make yourself vulnerable or to take a risk. The connection of an exposed back and vulnerability is so long-standing, that is has entered set phrases and idioms…. Continue Reading →
“…the sonic equivalent of helplessly watching a storm develop, destroy everything around you, and finally, assessing the devastation once it has passed.” So reads the press blurb that accompanies ‘Let The Long Night Fade’, the debut album from London band… Continue Reading →
For those unfamiliar with this act it contains a raft of notable personnel, namely Ben Koller (Converge), Matt Woods and Adam Wentworth (Bloodhorse), Kevin Baker (The Hope Conspiracy) and Brian Izzi (Trap Them). I have skirted the fringes of All… Continue Reading →
If any of you listened to this US bands self-released “The Art Gospel of Aggravated Assault” from 2012 then you know that that release is one of the most violent grindcore albums you heard during that year and even now… Continue Reading →
Well, these guys have come out of nowhere (after five previous albums, I must add) with a bit of a gem here for anyone who’s into the whole post-hardcore melancholy vibe and vocals powerful enough to cause a higher-level stratospheric… Continue Reading →
“Membrane make a living from working with noise”. And some noise it is. The French band’s fifth album is not the sort of ambient soundscape where figures emerge unexpectedly out of gloomy shadows, but a crashing world of reverberating sounds,… Continue Reading →
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