Brazil’s Labirinto have made quite a name for themselves in South America and beyond, their nine releases, two of which are full lengths, have earned them a reputation as one of the heavy hitters of the post rock genre. The… Continue Reading →
If you live in or around London and attend gigs on a regular basis, then Latitudes will have becoming a steady part of you gig going diet for the last seven years or so. The band’s initial release was instrumental… Continue Reading →
Interestingly this debut release from Swiss instrumental post metallers Corbeaux has been mastered by Magnus Lindberg (Cult Of Luna) and that name drop gives you an inkling of where this band resides musically. It’d be unfair to say that the… Continue Reading →
I am no stranger to the Hummus roster with the likes of Impure Wilhelmina, Coilguns, Red Kunz, NVRVD having releases in my collection, the label aims squarely at the experimental side of post rock or metal, whatever you want to… Continue Reading →
What is in a label? A genre label I mean, not a record label. I’ve heard so many arguments recently about the need to put a band’s music in a very clearly defined pigeon hole so that everyone can feel… Continue Reading →
Sit back and think about it, we all love certain genres of music especially when it comes to writing album reviews about them and generally our knowledge of certain genres is far more expansive than others. However being tested and… Continue Reading →
Doom bands are too often failed by the singers. I include in that term all the obvious associated heavy-as-an-anvil-on-the-head sludge and stoner genres but let’s focus on doom specifically for a moment. Huge slabs of portentous music making hearts bust… Continue Reading →
The moments when man places his own needs above those of the natural world might be described as blots on our historical landscape. César Marquez, a conceptual artist, master of multi-instrumentalism and the man behind Bauda from Santiago in Chile,… Continue Reading →
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