Tag Orchestral
The appeal of this album went up for me when I read the promise of something dark and vicious and of a more “violent atmosphere” than its predecessor “Livre Troisième” (2021). The work of Les Chants du Hasard goes under… Continue Reading →
Hot take, some Ihsahn solo material is better than Emperor, there I said it. Of course being a most notable and prominent figure of the Black Metal scene Ihsahn can be seen as a bit of a dividing force amongst… Continue Reading →
I like to play music loud, especially music that I have to review. Why? Because the release’s character will reveal itself much faster this way. If the album is good, it will sound even better played at high volume, if… Continue Reading →
Many, many years ago, when I was still young and daft enough to go all over the Midlands for gigs and make mad dashes for last trains/trams/buses etc, I saw Korpiklaani play JB’s in Dudley. There were nine of Korpiklaani… Continue Reading →
Metal or not metal? That is not the question as Les Chants du Hasard (Songs of Chance) turn to orchestral music to create dark and violent soundscapes, while including soprano and tenor voices, the spoken word, the voices of children… Continue Reading →
It’s time for some theatre from those black metal horror show purveyors from the Netherlands, Carach Angren. Or at least that’s what I was hoping for. Having gone through wars and shipwrecks and all manner of grotesquery from them over… Continue Reading →
Let’s face it – it had to happen! I’m just amazed it took so long. From the moment I heard the orchestral version of ‘Theatre Of Pain’ as a bonus track on Blind Guardian’s fantastic “Somewhere Far Beyond” album way… Continue Reading →
Anneke van Giersbergen is something of an enigma having constantly evolved her style over the years amassing an impressive back catalogue of work during her tenures with The Gathering, Agua de Annique, The Gentle Storm, Vuur and of course her… Continue Reading →
The problem with reviewing a new SepticFlesh album is expectation and having to pick it apart. As in, I have to be objective and meticulous and point out what could’ve been done to make things better. For example, is the… Continue Reading →
It has been an extremely long time since I’ve actively enjoyed listening to an album that contains no guitars, bass or drums. So long, in fact I cannot actually remember when it was. Well Hazard has changed that all on… Continue Reading →
After seriously enjoying some recent epic masterworks from Monolithe and other entities from the more ambitious end of the doom death and funeral doom fraternity, I was keen to get my decimated ear drums around this debut from Norway’s Abyssic…. Continue Reading →
“Ok guys, we’ve got 29 minutes to create a good impression – so let’s get to work,’ I imagine Rise of Avernus saying to each other with eager glances as they headed into the studio for the recording of their… Continue Reading →