Yeehaw rednecks beware, cantankerous moral crusader Al Jourgensen and his bunch of rebellious wranglers are back and nobody is safe from a tongue-lashing. Mind you after 16 albums and a storied career of over four decades we wouldn’t really accept… Continue Reading →
Hi my name is Matt and I am an idiot. “That is evident from your ramblings on this site Matt but why so this particular time?”. Well gentle reader, when I asked for “Antithesis” the new album from White Void… Continue Reading →
Mexican industrial duo (indusduo? ) have been releasing music together since 1993 – hell of a long time for these two cousins Erk Aicrag and Racso Agroyam to be around each other pounding out cyberdog style sounds. The guys have been pretty prolific over the years and this, album 13… Continue Reading →
Warning, rant coming! I don’t know about you but one thing that has been really galling over the last couple of pandemic clad years is the constant bilious propaganda being bombarded out by those in a privileged position, musicians in… Continue Reading →
Talk about being doomsday prophets. APHND released last album ‘When The World Becomes Undone’ in 2019 and shortly after, that’s exactly what happened. If you thought they were not the happiest band in the world before this, it’s hardly the… Continue Reading →
Parrilla, hailing from the Southend on the Sea, UK, have been described as a rising force in the UK underground. Having cut their teeth round Essex, sharing the stage with the likes of Goat Monsoon and participating in Bloodstock’s Metal… Continue Reading →
Been expectantly awaiting this, finally after three highly rated EP’s The Joy Thieves get round to their debut album. Since forming or should that be spawning into the multi-limbed industro-wrecking machine they are, this lot have certainly kept us on… Continue Reading →
Since this is my first encounter with the French band Crown, I checked the Encyclopaedia Metallum for a bit of background data. Usually, the metal archives are a good, reliable and updated source of information. This time, however, the genre… Continue Reading →
‘Apocrypha’ opens with a smack to the face and a stripped back single key keyboard riff and then the band launches into the parade. This may not be Fear Factory, but it is loaded with similarities to Burton C Bells… Continue Reading →
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