Tag Leonard Cohen
From simply the cover of this new album by David Mako’s The Devil’s Trade project it is clear there are changes afoot. Gone are the stark line drawings and clear titles, instead (appropriately enough considering the label) we get a… Continue Reading →
Hearing Fotocrime’s third full-length Heart Of Crime and having no background information on the project’s origin, you would never guess that Ryan Patterson, the singer, songwriter, multi-instrumentalist, and producer behind the project, is from Louisville, Kentucky. On first listen, the… Continue Reading →
Whilst it is true that with all the bobbins associated with Covid-19, whilst some individual days may well drag, for me, who has been fortunate enough to be working full time and getting drowned in overtime, the last two years… Continue Reading →
The world of metal has its heroes and villains, those that stand out as paradigms of goodness, respect and an adherence to the metal code of honour (Ronnie James Dio, Steve Harris, Chuck Schuldiner, The Koller Brothers, Steve Brodsky et… Continue Reading →
Whatever microtonal psychoacoustics are, they’re here. This comes along with otherworld groove, industrial noise, odd-time rock and “musique concrète”. This strange sounding combo with a theme based on isolation in the surveillance all adds up to fun, apparently. Without listening… Continue Reading →
I had been looking forward to Fotocrime’s new album ever since it was announced. The band’s previous releases with their mixture of post punk, dark wave and goth rock were right up my alley, my favourite being the EP Always… Continue Reading →
“I know that name I thought” when this album came up for review. Sure enough a bit of digging came up with the name Henry Hyde Bronsdon which was the nom de plume of vocalist / guitarist Duncan was using… Continue Reading →
Ground Control to Major Parkinson … actually, that’s not so inappropriate as “Blackbox” has a cosmic, cinematic feel. It is the Norwegian band’s fourth album, and comprises a collection of eerie sounds. It is the most experimental of experimental works…. Continue Reading →
There should be a law within the world of music journalism, whereby any review written as a track by track analysis means the author is punished via a beating with a bag of oranges. However, there are some albums that… Continue Reading →
I confess that I’d never heard of Katia & Marielle Labeque’s Minimalist Dream House, but apart from being two acclaimed pianists, it seems that the aforementioned Katia and Merielle were the ones who invited the three musicians behind this work… Continue Reading →
This is my third encounter with Erik E and his dark, mournful neo-folk project Weh. The sound as ever is simple and beautifully plain, mostly the deep almost Cohen-esque tones of Erik E and his strummed acoustic guitar, with the… Continue Reading →
A traditional Swiss folk band with links to the fabulous Eluveitie? How hard can that be to review? “Yeah, no problem Mr. Editor, send that one over and I’ll sort it”. Bollocks. How I soon regretted those ill-chosen words. All… Continue Reading →