Opener ‘Eternal Rains Will Come’ is a stunner. It kicks straight in with a keyboard style (courtesy of new member Joakim Svalberg) that Ken Hensley would be proud to call his own, before in classic Opeth style, they turn… Continue Reading →
Here at Ave Noctum we have the pleasure to swim in very creative waters. Quite a few of the artist’s we feature see and manage the visuals and music as a whole but not many quite like The Osiris… Continue Reading →
Well the PR sheet tries to chuck the kitchen sink at this when describing it, but with people who have played with Angel Witch and Electric Wizard you would be forgiven for expecting some groovy seventies/eighties downtuned riffage, yeah? Ah…… Continue Reading →
The interesting and talented recent crop of retro-rock/metal bands is a lush one indeed. Though Dutch 3 piece Birth Of Joy are new to me they have been steadily building a healthy following since their inception in 2005. “Prisoner” (album… Continue Reading →
There is only one depressing thing about this 3 piece Icelandic band’s second release. The band appear so young that it looks like if you added their ages together they would still be younger than me – and I’m 20… Continue Reading →
A quick glance around reveals just how far this modern obsession for all-things retrospective has come. From the re-emergence of the flared trouser or a penchant for all things eyeball-meltingly fluorescent to our longing for the foods we grew up… Continue Reading →
Progressive rock is one of those genres that metal fans tend to either love or loathe; some find it way too self-indulgent, lengthy and unnecessarily complex, whereas others love the over-the-top , overwhelming musical structures, and the sheer creativity and… Continue Reading →
You really cannot fault the band name can you, especially when it comes at a time when everything decent and catchy has been used. Beelzefuzz whose moniker puts a smile on my face every time I hear it have been… Continue Reading →
From what I know of the writing staff of Ave Noctum, and such is the spread out geography that I’ve met surprisingly few of them, I guess I was the ideal candidate to review this album. Whilst many of the… Continue Reading →
In the same way that Tool redefine musical boundaries and structures, so do Minutian from Finland. ”Repercussions” matches the claim they make to have an unusual angle on progressive music. What is remarkable is that it is their debut album…. Continue Reading →
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