Seven musicians create some sort of fusion. With a double bass and a saxophone in tow, the Beatles, Russian Circles, Napalm Death, Meshuggah and Rimsky-Korsakov are amongst many from many classical and modern pop and metal genres who get mentioned… Continue Reading →
Mörglbl are a rather interesting musical entity. The predominantly instrumental three piece are heavily rooted in the realms of progressive metal, and from there, they add plenty of jazz and fusion elements to their sound, giving an end result which… Continue Reading →
“Follow the white rabbit”, we’re told. Well, maybe we should but for sure we’re taken on a journey through a strange Wonderland here on this experimental saxophone-driven jazz prog collection from French quartet DRH. Sometimes it’s good not to have… Continue Reading →
There’s experimental and there’s experimental. I read that “Virgin Cuts”, the band’s fifth album, “leads the listener into a sonic loophole between noise-infested rock, droney landscapes, new age minimalism and dusty afro-tripping”. Sure enough, although each of these strange pieces… Continue Reading →
It would be more than fair to say that London three piece Vodun made a bit of a splash with their debut album Possession and subsequent live performances. They are a riot of colour and exuberance with a hugely energetic… Continue Reading →
I just liked the whole weirdness, or perhaps I should call it creativity behind this album. Inhumankind is a duo from Barcelona, one a flutist, the other a double bass player. “Self-Extinction” takes us beyond the boundaries of experimentalism and… Continue Reading →
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