For over a decade now, Alunah has remained one of the UK’s consistently finest purveyors of superb Doom, albeit having had assorted labels such as the very niche “female fronted occult rock” tag that was beloved of so many reviewers…. Continue Reading →
A smoking bearded skull with fucked up teeth and tusks. The cover is Ronseal baby. This Swedish three piece offer three songs on this EP and in the 15 minutes they have the listener is gonna get bludgeoned! The three… Continue Reading →
There should be a law within the world of music journalism, whereby any review written as a track by track analysis means the author is punished via a beating with a bag of oranges. However, there are some albums that… Continue Reading →
This third album by Kuolemanlaakso is far more of a solo effort than the previous ones, as other than drums and bass by Tiera and Usva respectively, Laakso takes care of vocals, guitar and keyboard duties here. Granted there are… Continue Reading →
Since they first appeared on the scene, Transylvania’s own Bloody Hammers have been producing a consistently excellent series of some of the finest records you could hope to find, firstly on SoulSeller Records before being signed to the ever growing… Continue Reading →
It wasn’t until 2007 album ‘Walking With Strangers’ that I got my first encounter with Canadian gothic synth-pop act The Birthday Massacre. Right back in time, before this they had started out no doubt inspired by a certain Clive Barker… Continue Reading →
I have been keeping my beady ears on Alaric since their debut self released album in 2011 and follow up split with Atriarch the year later. In my opinion they are one of the most authentic sounding groups who tread… Continue Reading →
Kind of breaking my own rules here of not covering reissues (too much new music) by download but truth is I have been on a Christian Death-trip lately and wanted to have the excuse to properly listen to an album… Continue Reading →
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