The thing that I have always loved about Birmingham spawned UK act Esoteric is their distinct uniqueness and their skill at turning music into art-forms beyond the scope of what one would anticipate. The emotions and atmospheres that they craft… Continue Reading →
Another Russian funeral doom album from the ever-reliable Solitude Productions, Everlasting’s album cover and title had me expecting something in the vein of Skepticism/Thergothon. This proved to be largely true, with empyreal, church-organ-like synths enveloping each of the album’s four… Continue Reading →
With cover art featuring a joyously glowing daisy, you’d be forgiven for thinking this album was some kind of hippie chillout extravaganza had it not been for the fact you are currently perusing Ave Noctum. Of course, reality is far… Continue Reading →
France’s Monolithe is just about the most fun anyone can have with doom metal. They’ve brought a progressive, forever-evolving element to the sound and an irreverent approach to traditional song structures that keeps listeners guessing. A gradual and intense exploration… Continue Reading →
How time flies when you’re contemplating the infinite nature of cosmic existence. It’s less than a year since I reviewed Monolithe’s last album for this very website and, in a sub-genre not generally known for rushing things, that level of… Continue Reading →
Station Dysthymia are a funeral doom band from Siberia, and ‘Overhead, Without Any Fuss, The Stars Were Going Out’ is their second full-length. I thought at first in my literary ignorance that the album title was the product of some… Continue Reading →
Ah, funeral doom. Even at its most adept, most melodic and most majestic there is something about it that means it is forever condemned to the grey, quiet shadows. The pace perhaps, the rich, often romantic melancholy even. Whatever, there… Continue Reading →
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