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The Rise Above label, and their off-shoot Rise Above Relics, is one that I have spent one heck of a lot of money on since it was founded by one time Napalm Death unintelligible noise belcher and erstwhile Cathedral Huggy… Continue Reading →
If you’ve been a regular visitor to Ave Noctum, you may well have seen that Morass of Molasses featured on the best of 2019 list for several contributors thanks to their excellent ‘The Ties That Bind’. Front man, and in… Continue Reading →
Another month. Another hot tub time machine filled with tie dyed flares. Yes that’s right it’s bluesy retro rock time. April’s furry freak family are Heavy Feather from Sweden. Big fans of Cream and Free you can guess where this is… Continue Reading →
Formidable: that’s an interesting word. Fans of heavy music know that one of the finest attributes is the respect paid to the originators of the style. Sometimes the influences overshadow the originality and we slide into “retro” territory. Then bands… Continue Reading →
Sweden has been a notable player in dishing up quality retro rock bands. Graveyard and Horisont leap to mind as two, who over recent years have kept the vibe of the classic rock era alive in this part of the… Continue Reading →
Hey folks, do your shelves at home groan under the weight of Bon Jovi’s albums? Like Kiss, do you want to “rock and roll all night, and party every day”? Do you hear the phrase “extreme metal” and think of… Continue Reading →
If anyone out there in the land of the internet has been following Ave Noctum for a few years, you may have read my review of Scorpion Child’s eponymous first LP, an album that held the top slot for my… Continue Reading →
I’m not a particularly superstitious type, but sometimes I feel that the first album review of the year can set the tone for the next twelve months, and my first to be sent to the editor, if not necessarily the… Continue Reading →
Just a couple of days before typing up this review I was riding public transport through the expensive end of the capital’s retail district, the sort of area where high end shops cluster together to display their wares in a… Continue Reading →
Despite this being their third album, albeit apparently after a line-up overhaul and label change, Oblivious are an act that I’ve been, well, oblivious to. So, is ‘Out of Wilderness’ the album to amend their status on my ever burgeoning… Continue Reading →
Another review, and surprise surprise, it’s another Swedish export. Damn me, but with all the fine metal those industrious Swedes produce, how do they have time to disassemble and flat pack all that furniture they ship over to the UK… Continue Reading →
From note one of Crobot’s debut album, ‘Something Supernatural’, there can be little doubt as to what you are going to get, a wall of feedback building into the massively hook laden riffs of ‘Legend of the Spaceborne Killer’. Even… Continue Reading →