The sleeve’s artwork tells us everything we need to know here. Paolo Spaccamonti is known as a film score composer and avant-garde musician, so I was on alert for something artistic, different and creative. The eleven pieces take us to… Continue Reading →
MMMΔ, aka MMMD aka Mohammad, now we have that out the way we can begin. Are you sitting comfortably? Well you won’t be for long and going to the toilet and ridding thyself of any excess waste is advisable before… Continue Reading →
Last year I reviewed Hiraeth by Pando. I say review. What I actually did was try and convey how the madness that Adam Bryant and Matt Gagne made me feel. These two artists are genre fluid and combine field recordings, conversations,… Continue Reading →
LINGUA IGNOTA’s album All Bitches Die left a huge impression on me. Had I reviewed it, I would have given it the full mark. 10/10. Why? Because finally. Finally, there was a woman in extreme music fighting back against misogyny… Continue Reading →
If you’re looking for normality, this is not the place to come. When I read that inspiration came from “Stockhausen Stimmung on a mushroom trip”, I knew it was game on. “Sus” is a lot of bizarre sounds, fundamentally. The… Continue Reading →
You can’t keep a good man down. It doesn’t seem five minutes since I was listening to “Ximenes”, ówt krì’s void-laden, spiritual, haunting soundscapes. Now there’s this one, “Arra”, a four track, 43 minute album from the deep thinker from… Continue Reading →
It’s always a pleasure to hear from the Finnish soundmeister Kenneth Kovasin a.k.a. ówt krì. Both “New Seed” and “Pilgrimage” are thought-provoking and mind-opening in a way that we’re allowed to develop our own thoughts without any form of prescription… Continue Reading →
A band from Greece with a Russian name, singing in English, named after a fantasy novel by a Russian author. How does all of that fit together? And how is it connected to their debut EP’s cover design featuring a… Continue Reading →
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