Decadent Noir music is the description of this third album by Helfir- the brainchild of Luca Mazzotta. To summarise what this appears to mean on first listen is a gentle brooding mix of electronica and rock – imagine a less dancy VnV Nation jamming… Continue Reading →
CNJR (pronounced Conjure) is the work of a nomadic music producer originally from the Pacific North West now relocated to Mexico. This album (c’mon I am not gonna type that out every time despite how wacky the title is) is his 2nd full… Continue Reading →
“We are wolves,” state Ulver and let’s go with that for now and contemplate their position in the grand scheme of things along with the music on this their 16th studio album and new book “Wolves Evolve The Story of… Continue Reading →
Dylan Neal’s other band, Botanist, might not be to everyone’s taste (hammered dulcimer black metal anyone?) but it certainly makes a change from listening to a very long line of black-metal-o-likes queuing up to deliver their take on something that… Continue Reading →
A couple of years have gone by since USA blackened sludgers The Lion’s Daughter told us that Existence Is Horror and proved that statement to a certain extent with some rather nasty music, now they are back. My biggest complaint… Continue Reading →
I, probably like many other metal heads in the world, got into Perturbator aka James Kent, via the “Dangerous Days” album released in 2014 which for me was a chance listen when browsing the Blood Music bandcamp pages just sampling… Continue Reading →
When it comes to the art of music, Ulver are a law unto themselves. Having been around for almost 25 years, the Norwegian progressive post-black metal experimentalist outfit now possess a status which makes every release they put out feel… Continue Reading →
Drone, at its most monotone, can drive some wild. It is a beast that dwells beyond the reach of most, existing in a parallel universe to the dark fury of the majority of heavy metal acts; light years from the… Continue Reading →
A record that earmark’s Locrian’s shift away from their early days of slow, ambient noise and drone, ‘Infinite Dissolution’ is arguably the Chicago/Baltimore trio’s most accessible work to date; not so much a progression or change in sound, but an… Continue Reading →
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