No doubt I was not alone in looking forward to see GosT when electronic artist James Lollar was unceremoniously sent scuttling back home by Covid, future dates scuppered. It’s a familiar story and it only just seems that things are… Continue Reading →
Always searching for that perfect Thy Catafalque release? An exquisite mix of blissful electronica highs, melancholy folk and extreme metal intensity? Preferably all audaciously combined in each and every track with a bit of lounge jazz thrown in for good… Continue Reading →
Bit of a Tricky one this, in more ways than one. Firstly, we are told that “It is a record for the single individual in a contemplative state,” no problems with that as the way things are many of us… Continue Reading →
This is the world of dark soundcapes, apocalyptic guitars and epic synth sounds, they tell us. It all points to collapse on this, the band’s 8th album release. “Ark of Horizon” is post rock with electronica. The album as a… Continue Reading →
Decadent Noir music is the description of this third album by Helfir- the brainchild of Luca Mazzotta. To summarise what this appears to mean on first listen is a gentle brooding mix of electronica and rock – imagine a less dancy VnV Nation jamming… Continue Reading →
CNJR (pronounced Conjure) is the work of a nomadic music producer originally from the Pacific North West now relocated to Mexico. This album (c’mon I am not gonna type that out every time despite how wacky the title is) is his 2nd full… Continue Reading →
“We are wolves,” state Ulver and let’s go with that for now and contemplate their position in the grand scheme of things along with the music on this their 16th studio album and new book “Wolves Evolve The Story of… Continue Reading →
Dylan Neal’s other band, Botanist, might not be to everyone’s taste (hammered dulcimer black metal anyone?) but it certainly makes a change from listening to a very long line of black-metal-o-likes queuing up to deliver their take on something that… Continue Reading →
A couple of years have gone by since USA blackened sludgers The Lion’s Daughter told us that Existence Is Horror and proved that statement to a certain extent with some rather nasty music, now they are back. My biggest complaint… Continue Reading →
I, probably like many other metal heads in the world, got into Perturbator aka James Kent, via the “Dangerous Days” album released in 2014 which for me was a chance listen when browsing the Blood Music bandcamp pages just sampling… Continue Reading →
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