When the esteemed editor of the site you are being kind enough to peruse asked me if I wanted to review Spiritual Void, I was flung back three decades to the groove metal inspired pounding single from Overkill’s 1993 crusher… Continue Reading →
From simply the cover of this new album by David Mako’s The Devil’s Trade project it is clear there are changes afoot. Gone are the stark line drawings and clear titles, instead (appropriately enough considering the label) we get a… Continue Reading →
On first sight of the cover for ‘Ablanthanabla’ it is frankly impossible not to think Electric Wizard. The font is right, the name is halfway there, and the Branca Studio style artwork (hey, it may even be Branca for all… Continue Reading →
When this dropped…or more accurately seeped through the bricks like mould… I felt like the Paul Spericki character in Grosse Point Blank, slamming the steering wheel in his car and exclaiming to Martin Blank “Fourteen years man! Fourteen Years!!!!” So… Continue Reading →
Chicago is the city that birthed electric blues but a group of young lads by the name of High Priest seem to have sought their inspirations from a different source who took those blues roots into far more ominous and… Continue Reading →
It can be strange the way you get introduced to a band; when I was younger and not grey of hair, it was a combination of word of mouth, a seriptitiously glued poster, a flyer thrust at you in the… Continue Reading →
Who doesn’t love a good surprise? I know I do. You, the debut album by new entity Johnny The Boy certainly provides one. Two central figures of Crippled Black Phoenix, Justin Greaves and Belinda Kordic, joined by Matthew Crawford on… Continue Reading →
Right, just to set things up straight from the outset, the last Church Of Misery album was actually Thy Kingdom Scum in 2013. You may have seen another one called And Then There Were None, but frankly as far as… Continue Reading →
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