So, this is one of those releases. You know the kind I mean. When you’ve been a big fan of a band, and then, from out of nowhere, you realise that the band are coming back after a long time…. Continue Reading →
Review a one track 83 minute doom track they said. It will be good for you and fun they said. Well actually they didn’t but curiosity got the better of me (and you know what they bloody well said about… Continue Reading →
“It’s early 2017, and time for more doom.” What is that a quote from, I metaphorically hear you ask? Well, it’s the opening line for my January review of R.I.P.’s first album of 2017, in fact their first album, ‘In… Continue Reading →
Old crustbags never die, it just smells like it. Ah yes Antisect, the original squat the lot Anarcho punks have a hell of a history behind them which stretches right back to 1982 and has somehow resisted and existed and… Continue Reading →
Welcome to the world of Ufomammut on this the occasion of their 8th full length album. Following on from Ecate in 2015 these 8 tracks see the Italian trio soundtracking the collision of space craft and giant ancient beasts as only… Continue Reading →
It’s impossible to keep up with all the bands coming out of Sweden, let alone across the world, with new music being sent in as well as regular shopping trips, but even I was surprised I’d not come across Monolord… Continue Reading →
Let me start this review with a deep and sincere apology to the editor of the site you are reading, Ave Noctum. I’m sorry this review has taken so long to arrive, but damn, I’ve just been so simply busy… Continue Reading →
There’s some solid stuff coming out on label Aesthetic Death whether it’s the sludgy, blackened doom of Ketch or the equally highly recommended quirky black metal of Lashblood. Indeed, it’s a label that’s becoming known for its appreciation of the… Continue Reading →
Monarch sets new lows when it comes to depressive, harrowing doom. Often only sparsely populated with what you might dismissively call music and more often bordering on ambient ‘noise’, this is a band that is intense, emotionally testing but clearly… Continue Reading →
With The Dead’s self titled debut in 2015 was greeted with much acclaim. Having been the culmination of efforts from ex-Cathedral front man Lee Dorrian and former Electric Wizard members Tim Bagshaw and Mark Greening, the album was a lesson… Continue Reading →
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