A band from Greece with a Russian name, singing in English, named after a fantasy novel by a Russian author. How does all of that fit together? And how is it connected to their debut EP’s cover design featuring a… Continue Reading →
Considering the band name it would be a total cliché to say this one goes off like a bomb but with 6 tracks in less than 13 minutes it is definitely more C-4 semtex than Sinclair C-5 in the speed… Continue Reading →
I’ve been glad to say I’ve been following Uncle Acid And The Deadbeats (hereafter to be abbreviated to Uncle Acid; no disrespect to The Deadbeats, but it’s quite a long band name) since the early days. I won’t pretend to… Continue Reading →
Since the release of 2015’s ‘Grief’s Infernal Flower’, Virginian doom metal outfit Windhand have endured more than their fair share of upheaval; parting ways with one half of their founding guitar duo, Asechiah Bogdan, leaving Garrett Morris to carry the… Continue Reading →
The phrase “industrial” when used in the context of music has always been one that has conjured images of cyber goths with plastic dreadlocks stomping along to the likes of Combichrist. Even the grittiness that lies within the heaviest moments… Continue Reading →
To release one monster of an album in 2018 is no mean feat. To do so with the wait of expectation from a rabid fanbase weighing like a concrete albatross is truly magnificent. For Matt Pike to follow up Sleeps’ “The… Continue Reading →
For the last few weeks, I’ve been mostly listening to music wallowing in misery, sickness and despair. Predominantly post metal and some experimental stuff. It agreed with me, but like someone eating the same meal every day for days on… Continue Reading →
I first came across this pretty unclassifiable French band with their 2015 album ‘This Is Not Supposed To Be Positive’. As this titles translates to something like ‘Sad Suburb’ you can tell their mood or preoccupations haven’t improved much over… Continue Reading →
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