There’s something decidedly foul going on with this, the second full length from Birmingham misery merchants, Opium Lord. Vore is thoroughly dark, unpleasant and violent; it’s a glimpse into the minds of some twisted individuals. The album contains elements of… Continue Reading →
Gévaudan know how to doom. Since forming in 2013 they’ve gigged hard and teased with a couple of EP’s. “Iter”, from the Latin meaning “the journey” represents their debut long player. The Hertfordshire quartet lean on classic Black Sabbath inspired… Continue Reading →
Quite often I re-indulge myself in a scene that has grown out of favour with me, as doom is one such genre but decided to take the plunge with German band Zeit to try and rekindle my affection for the… Continue Reading →
A morose and atmospheric slab of doomy death here from this German quartet who have tied their second album in thematically with a narrative of “noises inside the head.” New to me as are other bands the quartet currently play… Continue Reading →
Monolord. Well, what can I say? If ever a stoner-doom band nailed their flag to the mast and voyaged out across the THC seas on the good ship HMS Bong, few if any have been more honest and upfront as… Continue Reading →
It’s been almost a decade since the release of Chelsea Wolfe’s debut ‘The Grime and the Glow’, in the 9 years that have followed her sound has grown and evolved alongside her popularity, often lauded as “the PJ Harvey of… Continue Reading →
After nearly a quarter of a century away, two former Cathedral members have returned with Workshed. Namely, Mark Wharton and Adam Lehan, whom are well respected for their doom heritage, and Workshed simply personifies their importance and influence within the… Continue Reading →
Over five years ago I wrote these words on this very site “Capilla Ardiente (Burning Chapel) hail from Chile, play doom, and readily admit to being inspired by those far more European veterans Candlemass” Well, now in 2019, both Capilla… Continue Reading →
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