“Last days of Rome are here!” The runes were ignored and the ruin sets in. Numerological significance of VXII is an anagrammandolo of the cursed number 17 VIXI in Latin translating to roughly “I lived” then “died”. Take from that… Continue Reading →
A moody image that is somewhat focused on times past greats us from the album cover here. The cars look like they are from the 70’s, the sky is devoid of colour and the cobbled streets from an unspecified European… Continue Reading →
Jay Gambit’s exploration of noise as a genre has steered Crowhurst down a path that has led to just about every nuance of musical possibility being intertwined into his output at some point, resulting in a discography that’s eye watering… Continue Reading →
Delving right into the experimental underground it would not be surprising if Psicopompo was a completely new name to you as it was to me when I was asked to cover their new release ‘Seven Sermons In Stone.’ This invitation… Continue Reading →
I was forewarned to expect an “earthly and ritual feel” from this latest work of dark ambience from [ówt krì]. From the outset we are swept away into an echo chamber, intensified by a constant solemn drone and a distant… Continue Reading →
Kenneth Kovasin has been releasing his ambient sound experimentations prolifically in the name of [ówt krì] since 2006. This year saw the release of the “Arra” album, [ówt krì]’s fifth, to add to six previous demos and numerous collaborations and… Continue Reading →
It’s time to step into the heart of darkness. If you are timid this may well be a place to explore with caution and one that despite the minimalistic hues of the journey is one you should undertake knowing you… Continue Reading →
The past two albums gave me nightmares and hallucinations in more than just title and now I am promised decadence and luminosity. Will a light suddenly go on in my head and understanding be reached as far as Haiku Funeral… Continue Reading →
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