I’ve been sitting on this one a while. It came out at the end of Feb and it is now the end of March. Life got in the way and something as expansive and emotional as this album was just too much to… Continue Reading →
The continuous evolutionary flux of Emma Ruth Rundle has been fascinating to follow and listen to – from her time in Marriages, to her solo material and collaborations with Chelsea Wolfe and Thou, she is always pushing sonic boundaries, revealing… Continue Reading →
“The sound of a teardrop falling onto a moss-covered stone. The sound of a heart breaking. The sound of a rosebud opening at dawn.” The sentences above could well be taken from a romantic poem or a Zen koan, like… Continue Reading →
Fool’s Ghost are a band from Louisville, Kentucky, composed of two people only, husband and wife Amber and Nick Thieneman. And let me tell you straight from the beginning that they have delivered a stunning debut album with Dark Woven… Continue Reading →
Way back at the turn of the century, I was handed a two-track demo of gloomy, mellow doom metal by an enthusiastic chap introducing himself as Chris. I recently found this CD amongst many others in my garage, and after… Continue Reading →
Still keeping up an air of anonymity in the Internet age, which is something increasingly difficult to do, you won’t find a huge amount of information about the players in German act [Dolch]. Their first couple of releases came from… Continue Reading →
It’s been almost a decade since the release of Chelsea Wolfe’s debut ‘The Grime and the Glow’, in the 9 years that have followed her sound has grown and evolved alongside her popularity, often lauded as “the PJ Harvey of… Continue Reading →
Ever imagined what it would sound like if Windhand jammed with Chelsea Wolfe? Vanishing Kids’ “Heavy Dreaming” might just be your answer. Founded by Nikki Drohomyreky and Jason Hartman (Jex Thoth) in 2000, the band from Wisconsin, USA, now contains… Continue Reading →
PETE WOODS (EDITOR): TOP 20 As others will re-iterate it’s been a crazy year for good music releases and anyone who tells you otherwise is quite frankly a fool. The biggest problem has been keeping up with it all and… Continue Reading →
I have to echo a colleague’s recent review and ponder the question of whether “Goth” is looked on as a musical swear word these days? Take Fotocrime for example. They have no problem admitting it is “Always Night” but there… Continue Reading →
There’s something about Chelsea. Something strange, sinister and utterly beguiling, something that makes you easily envisage her singing a dark ode at the end scenes in David Lynch’s Twin Peaks bar room. It’s a place where her haunting tones would… Continue Reading →
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