Tag Camel
Renowned for their top drawer Doom roster, UK label Rise Above were also known to throw in the odd curve-ball every now and again just in case anyone thought they could predict them. One of those aforementioned oddities was American… Continue Reading →
The description of this as art rock and synth pop may not be to everyone’s liking, and I’m not entirely sure it’s to mine, but like all music, it’s about the quality of production, the experience and the connection, so… Continue Reading →
May 2020 has been quite a progressively influenced month for me on Ave Noctum. It all started with the unique melancholic progressive flavourings of Green Carnation, Thoughts Factory were next with traditional Progressive Metal, Horisont came at it next, chucking… Continue Reading →
I hold Riverside in very high esteem. By far one of the better acts within the progressive umbrella, I’ve been an admirer of the band since I stumbled across their debut back in 2003. I saw them rise in ability… Continue Reading →
Sat as I am by a keyboard connected to an electronic system undreamed of in my youth that gives me access to all the information in the world I’m likely to need, and being in a position that I’m unlikely… Continue Reading →
Kaipa will be a familiar name to many a progressive rock fan, as they were an active and important part the Swedish progressive rock scene since their recording debut in 1976 through to their hiatus in 1982. Band founder and… Continue Reading →
Ah Finland, nobody does Dark Metal quite like Finland. Nobody seems to cram in so much atmosphere, melancholy and lets face it, down-right despondency as the Fins manage. And I love them for it. Throes Of Despondency…sorry…Dawn like to supplement… Continue Reading →
This is a strange release, or re-release in fact of Opeth’s “Lamentations” dvd in album form, especially given that the albums “Deliverance” (2002) and “Damnation” (2003) from which most of this double album comes, were themselves re-released as a double… Continue Reading →
Opener ‘Eternal Rains Will Come’ is a stunner. It kicks straight in with a keyboard style (courtesy of new member Joakim Svalberg) that Ken Hensley would be proud to call his own, before in classic Opeth style, they turn… Continue Reading →
Five normal looking gentleman stand in front of a bare tree in contrast to the colourful cover artwork of this album, whose shape could be a pattern which you would paint as a child and fold over to create symmetry…. Continue Reading →