There’s something decidedly foul going on with this, the second full length from Birmingham misery merchants, Opium Lord. Vore is thoroughly dark, unpleasant and violent; it’s a glimpse into the minds of some twisted individuals. The album contains elements of… Continue Reading →
Noise mangling duo Khost seem to be on a roll at the moment. They are playing no shortage of shows which is where I first unsuspectingly caught them and this is their sixth release since 2014. Last encountered being deconstructed… Continue Reading →
For over a decade now, Alunah has remained one of the UK’s consistently finest purveyors of superb Doom, albeit having had assorted labels such as the very niche “female fronted occult rock” tag that was beloved of so many reviewers…. Continue Reading →
One of the things to be genuinely treasured about the NWOBHM is the number of bands that have soldiered (pun intended) on or quietly slipped out of retirement now the kids have grown up. It’s both a sobering reminder that… Continue Reading →
Kroh’s relatively brief lifespan hasn’t been without its’ ups and downs. With one album and a couple of split releases to their name, “Altars” represents a fresh start and a new line-up for the Birmingham band. Main man, Paul Kenney… Continue Reading →
Brummie five-piece Opium Lord gained huge recognition with their 2013 EP ‘The Calendrical Cycle – Prologue: The Healer’, managing to catch the attention of Candlelight who signed the band last summer, and it’s through them that the band release debut… Continue Reading →
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