Thy Catafalque, the project of Hungarian artist Tamás Kátai, first captured me with the 2011 album “Rengeteg”, since when each album has brought new delights and wonderments. Soaring blackened metal with folk, cosmic and jazz elements doesn’t cover adequately the… Continue Reading →
Kayo Dot’s last album “Blasphemy” (2019) had me hanging onto every note. The discovery of this band was amazing. When you think that musicians have drained the creative pool like draining all the fish from the sea and there is… Continue Reading →
To quote the band: “Kayo Dot is an avant-goth, progressive experimental doom, abstract electroacoustic black modern compositional metallic band based in Brooklyn NY”. Unsurprisingly I didn’t know what to expect exactly but I knew that Kay Dot’s ninth album “Blasphemy”… Continue Reading →
Getting to grips with the wonders of Thy Catafalque is like wrestling with an agile, ever morphing, psychedelic serpent that wants to love you to death. In fact, as you can perhaps tell, it’s becoming increasingly difficult to convey the… Continue Reading →
Do sycamores howl? Well, seeing who is involved with this, they probably do. The name, which stuck out for me, was Davide Tiso of Ephel Duath. This told me to expect highly challenging, indeed weird musical patterns. But it’s not… Continue Reading →
Experimentation and avant-garde metal is what’s promised on this album by The Soundbyte, a project from Trond Engum out of Trondheim in Norway. What I heard at first were ambient sounds and the depiction of a bleak space. The symphony… Continue Reading →
There’s always a risk in taking on traditional music, as sometimes through no fault of the music it’s just impossible to cut across the culture. In this case it’s Castilian oral folk music but mixed with avant garde metal. Well,… Continue Reading →