It’s been just over a year since last album from Varg Vikernes dropped and ‘Sôl austan, Mâni vestan’ made his intentions quite clear that he has long moved away from the infamous black metal origins that along with his well-documented… Continue Reading →
What’s in a name? Take PurpleHaze Ensemble’s moniker for instance. You’d imagine this Polish quartet to be a Jimi Hendrix covers band who, before each gig, spun a coin to see which band member would get to set fire to… Continue Reading →
There’s a clue on Stroszek’s Facebook where it is written that the band’s influences come from “highways, trains, gas stations, hotel rooms”. As you may gather, “Wild Years of Remorse and Failures” is no barrel of laughs, nor is it… Continue Reading →
Ukraine’s Lamia Culta are an example of a near total shift of direction between albums. We usually see this kind of metamorphosis happen throughout various records in a certain band’s career, but what is surprising in the case of Lamia… Continue Reading →
Aside from the EP release of ‘Poartă de dincolo’ back in 2011, all has been quiet on the NB front following multiple band rifts and a series of changes in members. When Sol Faur and Hupogrammos left after the release… Continue Reading →
The thing about droning ambiance is that it plays in the mind of the listener, at least those who want to listen. It helps if the composer fuels the imagination, and Finland’s Kenneth K manages to do this with this… Continue Reading →
Ulver’s 1996 album ‘Kveldsanger’ has a lot to answer for if you ask me. By the mid-nineties, the concept of black metal bands adding delicate acoustic interludes or introductions to their albums was nothing new, artists quickly cottoning onto the… Continue Reading →
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