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Tag Agalloch

Chrome Waves – A Grief Observed (AvantGarde Music)

All too often we approach new music with preconceived ideas either from previous encounters with a band, media hype or a press release. However, on this occasion I listened to Chrome Waves with absolutely no knowledge of the band and… Continue Reading →

Ghostbound – All is Phantom (ATMF)

Originally conceived as a solo project by Brooklyn-based musician/actor (actor?) Alec Head to deliver themes of loss, grief and isolation via the medium of atmospheric black metal, Ghostbound has since expanded into a ‘full’ band and now presents the world… Continue Reading →

Khôrada – Salt (Prophecy Productions)

As a long term fan boy of atmospheric/post black metal Goliath, Agalloch I was bitterly disappointed to hear the news that they had disbanded in 2016. The internet was soon rife with rumours of new bands and when I heard… Continue Reading →

Finnr’s Cane – Elegy (Prophecy Productions)

What is about North America and atmospheric black(ish) metal? Wolves in the Throne Room, Agalloch, Panopticon are just a few examples of masters of this delicate art, and Canada’s Finnr’s Cave deserve to be held in the same high regard…. Continue Reading →

Hyrgal – Serpentine (Ladlo Productions)

Having been around for ten years this French act has released only one split during that time and within their ranks they have an ex-member of Svart Crown, namely Clément Flandrois who does vocals and guitar on this, the band’s… Continue Reading →

Raven Throne – I Miortvym Snicca Zolak (Non Serviam)

Belarus. Probably best known for its political system, this country has so much more to offer. Great cities, a beautiful countryside, massive potato consumption, amazing sausages and a rich cultural tradition, mainly in classical music, opera and ballet. When it… Continue Reading →

Harakiri For The Sky – Arson (Art Of Propaganda)

Harakiri For The Sky are one of those rare bands that, if they didn’t exist, someone would need to invent them. The band, fast becoming an institution, is the perfect blend of finely distilled post-hardcore-post-black-metal that seems to fill a… Continue Reading →

Greytomb – Monumental Microcosm (Transcending Obscurity)

This Australian band’s debut in 2016, “A Perpetual Descent”, plunged listeners into a quagmire of atmospheric murky blackened horror linking outright riffing malfeasance with dramatic soundscapes that surrounded the songs on multiple levels. Not much has changed generally as the… Continue Reading →

Seventh Genocide – Toward Akina (Third I Rex)

Black metal, more than any other genre, has produced some of the finest hybridisations of sub-genres resulting in some of the most intelligent, beguiling and intrinsically fascinating albums. I am very much of the school that the setting and mood… Continue Reading →

Extremity – Extremely Fucking Dead (20 Buck Spin)

Yeah I took one look at band name and title and thought bunch of bloody kids trying to be controversial with rude words and all that. Not the case at all though, you wouldn’t get a starry eyed bunch of… Continue Reading →

Worm Ouroboros – What Graceless Dawn (Profound Lore)

Apparently this Oakland based trio take their moniker from a 1922 fantasy novel by Eric Rucker Eddison. Give it a look on the web if Norse style high fantasy is your thang. With that in mind the listener may be… Continue Reading →

Barishi – Blood from the Lion’s Mouth (Season of Mist)

Barishi as a band were completely new to me before I listened to this album, their second full release. In case you’re like me and didn’t know about them, they’re from the USA, and describe their style as “gritty progressive… Continue Reading →

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